1018
牧牛图
Picture of Cattle Herding
起拍价
GBP
50,000
当前价
GBP
折扣RMB: 490,910
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围观人数:4
出价次数:0
延时周期:00:00
保证金:25%
服务费:0%
佣金:25%
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WT
作品分类:
中国书画
作者:
李可染
作品尺寸:
44cm×68cm
作品描述:
李可染是中国近代杰出国画大师,其牛与牧童题材作品和齐白石的虾、徐悲鸿的马等并称20世纪“中国水墨四绝” ,他因爱牛还把画室命名“师牛堂” ,以牛的精神自勉。 创作内容:画面呈现柳下牧童骑牛渡河场景,水牛形态憨实,牧童神态天真,构图简洁,常以留白显水泽意境,如柳树用墨色皴染、浓淡变化衬出枝叶茂密,牛身墨色层次展现质感与动感,牛角、牧童衣纹线条古拙有力 。这幅画浓缩李可染艺术风格与对生活、精神的理解,是研究其艺术及传统田园题材绘画的重要范例 。
Li Keran was an outstanding master of traditional Chinese painting in modern times. His works on cows and herding children were known as one of the "Four Wonders of Chinese Ink Painting" in the 20th century, along with Qi Baishi's shrimps and Xu Beihong's horses. Due to his love for cows, he named his studio "Shiniu Hall" and encouraged himself with the spirit of cows. The creation content: The picture presents a scene of a shepherd boy riding an ox across a river under a willow. The water buffalo has a simple and honest appearance, while the shepherd boy has an innocent and naive expression. The composition is simple, often using blank space to create a water-like atmosphere. For instance, the willow tree is depicted with ink strokes and variations in density to highlight its dense foliage. The ink layers on the ox's body show texture and dynamism. The lines of the ox's horns and the shepherd boy's clothes are ancient and powerful. This painting condenses Li Keran's artistic style and his understanding of life and spirit, and it is an important example for studying his art and traditional pastoral paintings.
Li Keran was an outstanding master of traditional Chinese painting in modern times. His works on cows and herding children were known as one of the "Four Wonders of Chinese Ink Painting" in the 20th century, along with Qi Baishi's shrimps and Xu Beihong's horses. Due to his love for cows, he named his studio "Shiniu Hall" and encouraged himself with the spirit of cows. The creation content: The picture presents a scene of a shepherd boy riding an ox across a river under a willow. The water buffalo has a simple and honest appearance, while the shepherd boy has an innocent and naive expression. The composition is simple, often using blank space to create a water-like atmosphere. For instance, the willow tree is depicted with ink strokes and variations in density to highlight its dense foliage. The ink layers on the ox's body show texture and dynamism. The lines of the ox's horns and the shepherd boy's clothes are ancient and powerful. This painting condenses Li Keran's artistic style and his understanding of life and spirit, and it is an important example for studying his art and traditional pastoral paintings.
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