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ROBBIE BARRAT (B. 1999) AND RONAN BARROT (B. 1973) Infinite Skull #21
起拍价
USD
50
当前价
USD
10,000
折扣RMB: 361
折扣RMB:72,276
围观人数:13
出价次数:1
延时周期:00:00
保证金:100%
服务费:5%
佣金:25%
不包邮 不保真 不退货 已结束
最高出价:USD 10,000折合 RMB 72,276
第三... [领先]
10,000
03月05日 10:15:05

伦敦佳士得
作品描述:
ROBBIE BARRAT (B. 1999) AND RONAN BARROT (B. 1973)
Infinite Skull #21
UV print on plexiglass
7 4/5 x 7 4/5 in. (20 x 20 cm.)
Executed in 2018L’Avant Galerie Vossen
Acquired from the above by the present owner, 2023Paris, L’Avant Galerie Vossen,
Infinite Skulls, Feb 07-11, 2019
Paris, L’Avant Galerie Vossen,
Robbie BARRAT, 2018-2020, Feb 18-28, 2023Infinite Skulls is a collaborative project between contemporary painter Ronan Barrot and artist-researcher in artificial intelligence Robbie Barrat. Barrot contributed 450 of his skull paintings, which were digitally scanned to train a generative adversarial network (GAN) developed by Barrat. This neural network learned from Barrot's works to generate new, unique images of skulls, resulting in a virtually limitless collection of AI-created artworks that mirror the style of Barrot's original pieces.
By juxtaposing Barrot's tangible, paint-laden canvases with Barrat's pixel-based, AI-generated images,
Infinite Skulls prompts a dialogue on the intersection of human intention and machine execution in the creative process. The exhibition underscores that, despite AI's capabilities, human input remains essential at every stage of artistic development, as the machine lacks consciousness and intent.
Infinite Skull #21
UV print on plexiglass
7 4/5 x 7 4/5 in. (20 x 20 cm.)
Executed in 2018L’Avant Galerie Vossen
Acquired from the above by the present owner, 2023Paris, L’Avant Galerie Vossen,
Infinite Skulls, Feb 07-11, 2019
Paris, L’Avant Galerie Vossen,
Robbie BARRAT, 2018-2020, Feb 18-28, 2023Infinite Skulls is a collaborative project between contemporary painter Ronan Barrot and artist-researcher in artificial intelligence Robbie Barrat. Barrot contributed 450 of his skull paintings, which were digitally scanned to train a generative adversarial network (GAN) developed by Barrat. This neural network learned from Barrot's works to generate new, unique images of skulls, resulting in a virtually limitless collection of AI-created artworks that mirror the style of Barrot's original pieces.
By juxtaposing Barrot's tangible, paint-laden canvases with Barrat's pixel-based, AI-generated images,
Infinite Skulls prompts a dialogue on the intersection of human intention and machine execution in the creative process. The exhibition underscores that, despite AI's capabilities, human input remains essential at every stage of artistic development, as the machine lacks consciousness and intent.
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