13
WORKSHOP OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO) The Penitent Magdalene with a Crucifix
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保证金：100%
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作品描述：
WORKSHOP OF DOMÉNIKOS THEOTOKÓPOULOS, CALLED EL GRECO (CRETE 1541-1614 TOLEDO)
The Penitent Magdalene with a Crucifix
oil on canvas, unframed
24
5⁄ 8 x 20
3⁄ 4 in. (62.5 x 52.7 cm.)
signed or inscribed 'doménikos theotokópolos e'poíei' (in cursive Greek, lower left)
with Galerie Sedelmeyer, Paris,
(Possibly) their sale, Paul Chevallier, Paris, 3-5 June 1907, lot 201.
with Ehrich Galleries, New York, from whom acquired on 15 April 1911 for $3,500 by,
Arabella Duval Huntington, née Yarrington (
circa 1850-1924), New York, and by whom gifted to the Hispanic Society of America on 12 January 1922.
(Possibly) M.B. Cossio,
El Greco, Madrid, 1908, either p. 595, no. 378, or p. 616, no. 305, or p. 600, no. 383, p. 616, as El Greco (see H.E. Wethey,
loc. cit.).
Hispanic Society of America,
List of Paintings, New York, 1925, no. A68, as Attributed to El Greco.
A.L. Mayer,
Dominico Theotocopuli, El Greco, Munich and New York, 1926, p. 47, no. 296 (305), as ‘Perhaps only workshop’.
Hispanic Society of America,
El Greco in the Collection of the Hispanic Society of America, New York, 1927, pp. 28-29, no. A68, pl. XI, as Attributed to El Greco.
E. du Gué Trapier,
Catalogue of Paintings (16th, 17th, and 18th Centuries) in the collection of the Hispanic Society of America, New York, 1929, pp. 98-99, no. A68, as Attributed to El Greco.
F. Rutter,
El Greco (1541-1614), New York, 1930, p. 102, no. 102, as El Greco.
J. Gallart y Folch,
El espiritu y la tecnica del Greco, Barcelona, 1946, pp. 47-48, pl. XI, as Attributed to El Greco.
J. Camón Aznar,
Dominico Greco, Madrid, 1950, p. 414, as based on the model at Museo de Cau Ferrat, Sitges.
H.E. Wethey,
El Greco and His School, Princeton, NJ, 1962, pp. 249-250, no. X-413, as '17th century copy (?)'.
G. Manzini,
L'opera completa del Greco, Milan, 1969, p. 100, no. 58b, as 'a variant'.
M.B. Cossio,
El Greco, Barcelona, 1972, p. 391, no. 332.
M.A. Codding, 'A Legacy of Spanish Art for America: Archer M. Huntington and the Hispanic Society of America',
Manet/Velázquez. The French Taste for Spanish Painting, G. Tinterow and G. Lacambre eds.
, exhibition catalogue, Madrid, 2003, p. 323.
M.B. Burke, 'El Greco at The Hispanic Society of America',
El Greco Comes to America, The Discovery of a Modern Old Master, I. Reist and J.L. Colomer eds., New York, 2017, pp. 144, 155, and 158, as Manner of El Greco.
Sedelmeyer Gallery, Paris,
Eleventh series of 100 paintings by Old Masters, 1911, no. 70, as El Greco.
The Penitent Magdalene with a Crucifix
oil on canvas, unframed
24
5⁄ 8 x 20
3⁄ 4 in. (62.5 x 52.7 cm.)
signed or inscribed 'doménikos theotokópolos e'poíei' (in cursive Greek, lower left)
with Galerie Sedelmeyer, Paris,
(Possibly) their sale, Paul Chevallier, Paris, 3-5 June 1907, lot 201.
with Ehrich Galleries, New York, from whom acquired on 15 April 1911 for $3,500 by,
Arabella Duval Huntington, née Yarrington (
circa 1850-1924), New York, and by whom gifted to the Hispanic Society of America on 12 January 1922.
(Possibly) M.B. Cossio,
El Greco, Madrid, 1908, either p. 595, no. 378, or p. 616, no. 305, or p. 600, no. 383, p. 616, as El Greco (see H.E. Wethey,
loc. cit.).
Hispanic Society of America,
List of Paintings, New York, 1925, no. A68, as Attributed to El Greco.
A.L. Mayer,
Dominico Theotocopuli, El Greco, Munich and New York, 1926, p. 47, no. 296 (305), as ‘Perhaps only workshop’.
Hispanic Society of America,
El Greco in the Collection of the Hispanic Society of America, New York, 1927, pp. 28-29, no. A68, pl. XI, as Attributed to El Greco.
E. du Gué Trapier,
Catalogue of Paintings (16th, 17th, and 18th Centuries) in the collection of the Hispanic Society of America, New York, 1929, pp. 98-99, no. A68, as Attributed to El Greco.
F. Rutter,
El Greco (1541-1614), New York, 1930, p. 102, no. 102, as El Greco.
J. Gallart y Folch,
El espiritu y la tecnica del Greco, Barcelona, 1946, pp. 47-48, pl. XI, as Attributed to El Greco.
J. Camón Aznar,
Dominico Greco, Madrid, 1950, p. 414, as based on the model at Museo de Cau Ferrat, Sitges.
H.E. Wethey,
El Greco and His School, Princeton, NJ, 1962, pp. 249-250, no. X-413, as '17th century copy (?)'.
G. Manzini,
L'opera completa del Greco, Milan, 1969, p. 100, no. 58b, as 'a variant'.
M.B. Cossio,
El Greco, Barcelona, 1972, p. 391, no. 332.
M.A. Codding, 'A Legacy of Spanish Art for America: Archer M. Huntington and the Hispanic Society of America',
Manet/Velázquez. The French Taste for Spanish Painting, G. Tinterow and G. Lacambre eds.
, exhibition catalogue, Madrid, 2003, p. 323.
M.B. Burke, 'El Greco at The Hispanic Society of America',
El Greco Comes to America, The Discovery of a Modern Old Master, I. Reist and J.L. Colomer eds., New York, 2017, pp. 144, 155, and 158, as Manner of El Greco.
Sedelmeyer Gallery, Paris,
Eleventh series of 100 paintings by Old Masters, 1911, no. 70, as El Greco.
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