15
RUDOLF KOPPITZ (1884-1936) Bewegungsstudie (Movement Study), 1925
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作品描述:
RUDOLF KOPPITZ (1884-1936)
Bewegungsstudie (Movement Study), 1925
bromoil transfer print, accompanied by original overmat
signed in pencil (margin); signed in pencil (overmat); stamped photographer's Vienna studio credit and reproduction limitation, dated and annotated in pencil (verso)
image: 15 x 11
1⁄ 2 in. (38 x 29.2 cm.)
sheet: 19
3⁄ 4 x 17 in. (50.1 x 43.2 cm.)
overmat: 24 x 17
3⁄ 8 in. (60.9 x 44.4 cm.)
By descent from the artist to his daughter;
Christie's, New York, Important Photographs from the Collection of Donald and Alice Lappé, October 10, 2017, lot 320;
Private Collection, New York;
acquired from the above by the present owner.
Jean Clair (ed.),
Vienne 1880-1938: L'Apocalypse Joyeuse, Editions du Centre Georges Pompidou, Paris, 1986, p. 393.
Cecil Beaton and Gail Buckland,
The Magic Image: The Genius of Photography, Pavilion Books, London, 1989, p. 150.
Monika Faber
, Rudolf Koppitz 1884-1936, Christian Brandstätter, Vienna, 1995, front cover and p. 71 and 83.
Annette Kicken and Simone Förster,
Points of View: Masterpieces of Photography and Their Stories, Steidl, Göttingen, 2007, p. 127.
Bewegungsstudie (Movement Study), 1925
bromoil transfer print, accompanied by original overmat
signed in pencil (margin); signed in pencil (overmat); stamped photographer's Vienna studio credit and reproduction limitation, dated and annotated in pencil (verso)
image: 15 x 11
1⁄ 2 in. (38 x 29.2 cm.)
sheet: 19
3⁄ 4 x 17 in. (50.1 x 43.2 cm.)
overmat: 24 x 17
3⁄ 8 in. (60.9 x 44.4 cm.)
By descent from the artist to his daughter;
Christie's, New York, Important Photographs from the Collection of Donald and Alice Lappé, October 10, 2017, lot 320;
Private Collection, New York;
acquired from the above by the present owner.
Jean Clair (ed.),
Vienne 1880-1938: L'Apocalypse Joyeuse, Editions du Centre Georges Pompidou, Paris, 1986, p. 393.
Cecil Beaton and Gail Buckland,
The Magic Image: The Genius of Photography, Pavilion Books, London, 1989, p. 150.
Monika Faber
, Rudolf Koppitz 1884-1936, Christian Brandstätter, Vienna, 1995, front cover and p. 71 and 83.
Annette Kicken and Simone Förster,
Points of View: Masterpieces of Photography and Their Stories, Steidl, Göttingen, 2007, p. 127.
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