LOT 7
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Louis de Silvestre and Andreas Möller (workshop or successor) King August II of Poland'' Christiane Eberhardine von Brandenburg-Bayreuth, wife of King August II of Poland''. Probably 1730s 1740''s
作品估价：EUR 7,500
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图录号：
7
拍品名称：
Louis de Silvestre and Andreas Möller (workshop or successor) King August II of Poland'' Christiane Eberhardine von Brandenburg-Bayreuth, wife of King August II of Poland''. Probably 1730s 1740''s
拍品描述：
Louis de Silvestre and Andreas Möller (workshop or successor) "King August II of Poland'' / "Christiane Eberhardine von Brandenburg-Bayreuth, wife of King August II of Poland''. Probably 1730s/ 1740''s
Kurfürst Friedrich August I. von Sachsen (August der Starke) 1670 Dresden – 1733 Warschau
Christiane Eberhardine von Brandenburg-Bayreuth 1671 Bayreuth – 1727 Pretzsch
Louis de Silvestre 1675 Sceaux – 1760 Paris
Andreas Möller 1684 Kopenhagen – 1762 Berlin
Johann Kupezky 1667 Bösing – 1740 Nürnberg
Adam de Manyoki 1673 Szokolya – 1757 Dresden
Oil on canvas on brown or grey ground, relined. Unsigned.
Provenance: Collection General Music Director Christian Thielemann, Berlin.
Excerpted versions or repetitions of the portrait couple in the Wachwitz Palace in Dresden from around 1940:
Louis de Silvestre (after) "King August II of Poland'', c. 1728, oil on canvas, 107.5 x 85.5 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, formerly inv. no. S 449, restituted to the House of Wettin in 1999, cf. Marx (1975), cat. no. 18.
Louis de Silvestre (Art des) "Christiane Eberhardine von Brandenburg-Bayreuth, Gemahlin König Augusts II. von Polen'', after 1726, oil on canvas, 108 x 86 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, formerly inv. no. S 445, today preserved in Moritzburg Castle, inv. no. 99/97, cf. Marx (1975), cat. no. 22a.
As with the Wachwitz portrait pair, which was created by Louis de Silvestre or in his style, different painting compositions in the present paintings also prove that they were created in different environments. Prof. Dr. Harald Marx''s intensive examination of the authorship of the portrait of Christiane Eberhardine, first published in 1975 in the catalogue "Die Gemälde des Louis de Silvestre'' and again in 1981 in more detail in his essay "Andreas Möller und seine Aufenthalte in Dresden'', is a fascinating, dense journey through the royal Saxon court painting of the first half of the 18th century.
These portraits are published in:
Kurfürst Friedrich August I. von Sachsen (August der Starke) 1670 Dresden – 1733 Warschau
Christiane Eberhardine von Brandenburg-Bayreuth 1671 Bayreuth – 1727 Pretzsch
Louis de Silvestre 1675 Sceaux – 1760 Paris
Andreas Möller 1684 Kopenhagen – 1762 Berlin
Johann Kupezky 1667 Bösing – 1740 Nürnberg
Adam de Manyoki 1673 Szokolya – 1757 Dresden
Oil on canvas on brown or grey ground, relined. Unsigned.
Provenance: Collection General Music Director Christian Thielemann, Berlin.
Excerpted versions or repetitions of the portrait couple in the Wachwitz Palace in Dresden from around 1940:
Louis de Silvestre (after) "King August II of Poland'', c. 1728, oil on canvas, 107.5 x 85.5 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, formerly inv. no. S 449, restituted to the House of Wettin in 1999, cf. Marx (1975), cat. no. 18.
Louis de Silvestre (Art des) "Christiane Eberhardine von Brandenburg-Bayreuth, Gemahlin König Augusts II. von Polen'', after 1726, oil on canvas, 108 x 86 cm, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden, formerly inv. no. S 445, today preserved in Moritzburg Castle, inv. no. 99/97, cf. Marx (1975), cat. no. 22a.
As with the Wachwitz portrait pair, which was created by Louis de Silvestre or in his style, different painting compositions in the present paintings also prove that they were created in different environments. Prof. Dr. Harald Marx''s intensive examination of the authorship of the portrait of Christiane Eberhardine, first published in 1975 in the catalogue "Die Gemälde des Louis de Silvestre'' and again in 1981 in more detail in his essay "Andreas Möller und seine Aufenthalte in Dresden'', is a fascinating, dense journey through the royal Saxon court painting of the first half of the 18th century.
These portraits are published in: