LOT 307
上一件
下一件
ANONYMOUS (MING DYNASTY) Lady Zhaojun Departing for the Frontier
作品估价：USD 5,000-7,000
货币换算
成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
28%
图录号：
307
拍品名称：
ANONYMOUS (MING DYNASTY) Lady Zhaojun Departing for the Frontier
拍品描述：
PROPERTY OF VARIOUS OWNERS
諸家珍藏
Lady Zhaojun Departing for the Frontier
Handscroll, ink on paper, signed
Zi'ang, with an artist's seal and four collector's seals.
11 7/8 x 62 3/16in (30.2 x 158cm)
Sotheby's Hong Kong, Fine Classical Chinese Paintings, 2 April 2017, lot 2880
Whereas this painting bears a signature and seal connecting the painting to the hand of Zhao Mengfu (1254-1322), it was most likely painted centuries later, in the Suzhou workshops dedicated to replicating old paintings to meet the demands of voracious collectors that treasured antiques. The story that is narrated dates to the Han Dynasty, but under Mongol rule in the Yuan, the theme of Noble Han Chinese interacting with northern barbarians became especially poignant.
Other nearly identical compositions include a colored version in the British Museum 1919,0414,0.1 bearing the signature of Qian Xuan.
佚名 明妃出塞 水墨紙本 手卷 明代
款識：子昂
鈐印：趙氏子昂
鑒藏印：唐兆麒印、魯菴、祟正堂圖書記、唐氏兆麒家藏
來源：
香港蘇富比，「中國古代書畫」，2017年4月2日，拍品編號2880
註：此幅作品雖署有趙孟頫（1254-1322）名款並鈐印，然其成作年代極可能在數百年之後，當出自蘇州畫坊匠人之手。彼時蘇州盛行仿古之風，以供嗜古若渴之藏家所好，此幅當爲其中佳例。畫中所敘故事本溯源於漢代，然在元代蒙古統治背景下，漢族貴胄與鬍人往來題材更具深意與象徵意味。
構圖極類似的傳世畫作有若幹件，其中一幅設色本，署錢選名款，現藏大英博物館（編號1919,0414,0.1）。
諸家珍藏
Lady Zhaojun Departing for the Frontier
Handscroll, ink on paper, signed
Zi'ang, with an artist's seal and four collector's seals.
11 7/8 x 62 3/16in (30.2 x 158cm)
Sotheby's Hong Kong, Fine Classical Chinese Paintings, 2 April 2017, lot 2880
Whereas this painting bears a signature and seal connecting the painting to the hand of Zhao Mengfu (1254-1322), it was most likely painted centuries later, in the Suzhou workshops dedicated to replicating old paintings to meet the demands of voracious collectors that treasured antiques. The story that is narrated dates to the Han Dynasty, but under Mongol rule in the Yuan, the theme of Noble Han Chinese interacting with northern barbarians became especially poignant.
Other nearly identical compositions include a colored version in the British Museum 1919,0414,0.1 bearing the signature of Qian Xuan.
佚名 明妃出塞 水墨紙本 手卷 明代
款識：子昂
鈐印：趙氏子昂
鑒藏印：唐兆麒印、魯菴、祟正堂圖書記、唐氏兆麒家藏
來源：
香港蘇富比，「中國古代書畫」，2017年4月2日，拍品編號2880
註：此幅作品雖署有趙孟頫（1254-1322）名款並鈐印，然其成作年代極可能在數百年之後，當出自蘇州畫坊匠人之手。彼時蘇州盛行仿古之風，以供嗜古若渴之藏家所好，此幅當爲其中佳例。畫中所敘故事本溯源於漢代，然在元代蒙古統治背景下，漢族貴胄與鬍人往來題材更具深意與象徵意味。
構圖極類似的傳世畫作有若幹件，其中一幅設色本，署錢選名款，現藏大英博物館（編號1919,0414,0.1）。