LOT 305
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AFTER WU ZHEN Bamboo and Rock
作品估价：USD 7,000-10,000
货币换算
成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
28%
图录号：
305
拍品名称：
AFTER WU ZHEN Bamboo and Rock
拍品描述：
PROPERTY FROM A NEW YORK COLLECTION
紐約珍藏
Bamboo and Rock
Horizontal handscroll, ink on silk, inscribed and signed
Zhonggui with two illegible artist's seals, the title slip and a frontispiece inscribed by Liu Jinglin (1888-1976), with one or two calligrapher's seals, mounted with three colophons, each ink on paper, the first signed Song Ke (1327-1387), with one seal, the second signed Jiao Hong (1541-1620) with one seal, the third by Liu Jinglin with four seals.
12 1/2 x 32 7/8in (32 x 83 1/2cm); the painting only, exclusive or frontispiece and colophons
Collection of Liu Jinglin (1888-1976)
New York Collection
The inscriber of the title slip and the last colophon was Liu Jinglin (1888–1976), style name Shiqian, sobriquet Yin. His ancestral home was Hantang, Sanshui, Guangdong Province. His father, Liu Chengkai, operated the Chinese painting shop Duobaozhai in Guangzhou. From a young age, Liu showed a fondness for painting and calligraphy. In his early years he served in government, but in his spare time participated in the Guangdong National Painting Research Society. His artistic style followed the tradition of the "Four Wangs," and many of the fine works from his collection later entered the Bei Shan Tang collection of Dr. Lee Jung Sen (1915-2007).
With the outbreak of the Anti-Japanese War, Liu Jinglin joined the military. After living through the upheavals of the era, he eventually settled in Hong Kong in his later years.
Liu's title-slip inscriptions on paintings and calligraphy were numerous. For instance, Landscape after Dong Yuan by Wang Jian (1598-1677), once in the collections of Pei Jingfu (1854–1924) and Wang Jiqian (C.C. Wang, 1907–2003), bears his inscription. This work was sold at Christie's Hong Kong on 26 November 2012, lot 878.
(款）吳鎮 竹石圖 水墨絹本 手卷
劉敬林（1888-1976）題簽：元梅花道人竹石卷真跡神品，乙巳（1965）六月，士謙題。鈐印：劉寅
劉敬林題引首：梅花道人竹石墨妙，士謙劉寅題。鈐印：石壺道人、士謙
款識：五月盡生寒，石床清露滴，仲圭。
鈐印：梅花盦、嘉興吳鎮仲圭書畫記
（款）宋克跋
款識：畫竹必首與可，而上下二百年來，及有仲圭者，崛□其□於是畫院既往之窠臼而獨揚其浩瀚之氣。故繪風則颯颯然、颸颸然。繪晴則杲杲然、勃勃然。雨則愀愀然而若啼，靄則嫣然其若哽。殆□□畫竹之□歟。若□與可□世而相遇，當必有囅然□哽者矣。東吳宋克書。
鈐印：宋克
（款）焦竑跋
款識：畫之道不一，要以得神為妙。而墨竹之神致，尤不易得。古來性胸中有成竹者，故下筆自灑灑落落，卓然不凡。知之者，其為梅道人乎？瑯琊焦竑。
鈐印：焦竑之印
劉敬林跋
款識：梅花道人天縱奇姿，每有瑕筆莫不淋漓盡致，尤以畫竹為妙絕今古。此卷寫水濱風竹，寥寥數筆而瀟灑奔放，生氣勃然，宛有迎風映水，滴露飄煙之致，可謂神乎。其技覬其題，署書法似屬中年所作，然畫筆遒健老到，法度整然，其造詣精醇，臻晚歲無以過之。宋、焦兩公跋題中，已備極稱許，無待後學多□置詞矣。甲辰十二月望日，士謙劉寅。
鈐印：石壺道人、匋香室藏、士謙
來源：
劉敬林（1888-1976）舊藏
紐約珍藏
註：題簽者劉敬林（1888-1976），字士謙，號寅。祖籍廣東三水漢塘，父劉成開在廣州經營「多寶齋」古董字畫店。劉氏自幼喜書畫，早年從政，公餘參與藏廣東國畫研究會，風承襲四王，所蓄精品多歸利氏北山堂。然抗日軍興，其毅然投筆從戎。歷經時局變遷，晚年定居香港。劉氏經眼題簽之書畫甚夥，如裴景福 (1854-1924)及王季遷(1907-2003)遞藏之王鑑《廬山秋爽圖》，於2012年11月26日由香港佳士得「中國古代書畫」專場釋出，拍品編號878。
紐約珍藏
Bamboo and Rock
Horizontal handscroll, ink on silk, inscribed and signed
Zhonggui with two illegible artist's seals, the title slip and a frontispiece inscribed by Liu Jinglin (1888-1976), with one or two calligrapher's seals, mounted with three colophons, each ink on paper, the first signed Song Ke (1327-1387), with one seal, the second signed Jiao Hong (1541-1620) with one seal, the third by Liu Jinglin with four seals.
12 1/2 x 32 7/8in (32 x 83 1/2cm); the painting only, exclusive or frontispiece and colophons
Collection of Liu Jinglin (1888-1976)
New York Collection
The inscriber of the title slip and the last colophon was Liu Jinglin (1888–1976), style name Shiqian, sobriquet Yin. His ancestral home was Hantang, Sanshui, Guangdong Province. His father, Liu Chengkai, operated the Chinese painting shop Duobaozhai in Guangzhou. From a young age, Liu showed a fondness for painting and calligraphy. In his early years he served in government, but in his spare time participated in the Guangdong National Painting Research Society. His artistic style followed the tradition of the "Four Wangs," and many of the fine works from his collection later entered the Bei Shan Tang collection of Dr. Lee Jung Sen (1915-2007).
With the outbreak of the Anti-Japanese War, Liu Jinglin joined the military. After living through the upheavals of the era, he eventually settled in Hong Kong in his later years.
Liu's title-slip inscriptions on paintings and calligraphy were numerous. For instance, Landscape after Dong Yuan by Wang Jian (1598-1677), once in the collections of Pei Jingfu (1854–1924) and Wang Jiqian (C.C. Wang, 1907–2003), bears his inscription. This work was sold at Christie's Hong Kong on 26 November 2012, lot 878.
(款）吳鎮 竹石圖 水墨絹本 手卷
劉敬林（1888-1976）題簽：元梅花道人竹石卷真跡神品，乙巳（1965）六月，士謙題。鈐印：劉寅
劉敬林題引首：梅花道人竹石墨妙，士謙劉寅題。鈐印：石壺道人、士謙
款識：五月盡生寒，石床清露滴，仲圭。
鈐印：梅花盦、嘉興吳鎮仲圭書畫記
（款）宋克跋
款識：畫竹必首與可，而上下二百年來，及有仲圭者，崛□其□於是畫院既往之窠臼而獨揚其浩瀚之氣。故繪風則颯颯然、颸颸然。繪晴則杲杲然、勃勃然。雨則愀愀然而若啼，靄則嫣然其若哽。殆□□畫竹之□歟。若□與可□世而相遇，當必有囅然□哽者矣。東吳宋克書。
鈐印：宋克
（款）焦竑跋
款識：畫之道不一，要以得神為妙。而墨竹之神致，尤不易得。古來性胸中有成竹者，故下筆自灑灑落落，卓然不凡。知之者，其為梅道人乎？瑯琊焦竑。
鈐印：焦竑之印
劉敬林跋
款識：梅花道人天縱奇姿，每有瑕筆莫不淋漓盡致，尤以畫竹為妙絕今古。此卷寫水濱風竹，寥寥數筆而瀟灑奔放，生氣勃然，宛有迎風映水，滴露飄煙之致，可謂神乎。其技覬其題，署書法似屬中年所作，然畫筆遒健老到，法度整然，其造詣精醇，臻晚歲無以過之。宋、焦兩公跋題中，已備極稱許，無待後學多□置詞矣。甲辰十二月望日，士謙劉寅。
鈐印：石壺道人、匋香室藏、士謙
來源：
劉敬林（1888-1976）舊藏
紐約珍藏
註：題簽者劉敬林（1888-1976），字士謙，號寅。祖籍廣東三水漢塘，父劉成開在廣州經營「多寶齋」古董字畫店。劉氏自幼喜書畫，早年從政，公餘參與藏廣東國畫研究會，風承襲四王，所蓄精品多歸利氏北山堂。然抗日軍興，其毅然投筆從戎。歷經時局變遷，晚年定居香港。劉氏經眼題簽之書畫甚夥，如裴景福 (1854-1924)及王季遷(1907-2003)遞藏之王鑑《廬山秋爽圖》，於2012年11月26日由香港佳士得「中國古代書畫」專場釋出，拍品編號878。