LOT 304
上一件
下一件
YUAN WEN (early 17th century) Insects, 1627
作品估价：USD 4,000-6,000
货币换算
成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
28%
图录号：
304
拍品名称：
YUAN WEN (early 17th century) Insects, 1627
拍品描述：
PROPERTY FROM A TENNESSEE PRIVATE COLLECTION
田納西州私人珍藏
Insects, 1627
Folding fan, mounted, framed and glazed, inscribed by the artist and dated
dingmao and signed
Yuan Wen, with three artist's seals, and two collector's seals of Emperor Qianlong (r. 1736-1796),
Baoqinwang bao and
Sui'anshi, on the mat.
6 3/4 x 19 1/4in (17.1 x 48.9cm)
Collection of Aisin-Gioro Hongli (1711-1799)
Christies New York, Fine Classic and Contemporary Chinese Paintings and Calligraphy, 29 June 1984, lot 752
Tennessee private collection
According to Ming Hua Lu (Records of Ming Dynasty Paintings) by Xu Qin (1626-1683), "Yuan Wen, style name Shenyan, was adept at flower painting." Lidai Huashi Huizhuan (Collected Records of Painting History from Past Dynasties) by Peng Yuncan (a. 1820-1850) states that the artist was a zhusheng (licentiate) from Wu (present-day Suzhou, Jiangsu), who spent his later years in Hangzhou, and that he grasped the delicate and refined essence of Qiu Ying's art.
There are two collector's seals of the mount Suianshi and Bao Qinwang Bao, were both created for the Qianlong Emperor during his princely days. The future emperor was appointed as Bao Qinwang (Precious Imperial Prince) in 1733 and held the title until ascending the throne in 1736. Sui'anshi (Studio for Peace, Regardless) was named in 1727, during the time the future emperor lived in the Chonghua Palace, although he later used the name for other locations in the numerous Imperial compounds. The two seals used for the impressions on this fan were sold at Sotheby's Hong Kong 3 October 2018, lot 3205.
袁問（生卒年不詳） 草間蟲趣 設色冷金箋 扇面鏡心 一六二七年作
款識：丁卯夏寫，袁問。
鈐印：袁問、一印漫漶難辨、雲窗樓
藏印：（乾隆）隨安室、寶親王寶
邊跋：袁問，字審焉，吳諸生，居杭州。得仇英真諦，纖秀可餐。見《畫髓元詮》
來源:
愛新覺羅·弘曆（乾隆，1711-1799）舊藏
紐約佳士得，「中國古代及當代書畫」，1984年6月29日，拍品編號752
田納西州私人收藏
註：清徐沁（1626-1683）《明畫錄》載，「袁問，字審言，工花卉。」清彭蘊璨（活躍於1820-1850）《歷代畫史彙傳》則載其「字審焉，吳（今江蘇蘇州）諸生，晚年居杭州。得仇英真諦，纖秀可餐。」
該挖鑲扇面卡紙右側見兩枚乾隆帝印章，「寶親王寶」及「隨安室」，皆與《乾隆寶藪》上該二章印蛻相同。
田納西州私人珍藏
Insects, 1627
Folding fan, mounted, framed and glazed, inscribed by the artist and dated
dingmao and signed
Yuan Wen, with three artist's seals, and two collector's seals of Emperor Qianlong (r. 1736-1796),
Baoqinwang bao and
Sui'anshi, on the mat.
6 3/4 x 19 1/4in (17.1 x 48.9cm)
Collection of Aisin-Gioro Hongli (1711-1799)
Christies New York, Fine Classic and Contemporary Chinese Paintings and Calligraphy, 29 June 1984, lot 752
Tennessee private collection
According to Ming Hua Lu (Records of Ming Dynasty Paintings) by Xu Qin (1626-1683), "Yuan Wen, style name Shenyan, was adept at flower painting." Lidai Huashi Huizhuan (Collected Records of Painting History from Past Dynasties) by Peng Yuncan (a. 1820-1850) states that the artist was a zhusheng (licentiate) from Wu (present-day Suzhou, Jiangsu), who spent his later years in Hangzhou, and that he grasped the delicate and refined essence of Qiu Ying's art.
There are two collector's seals of the mount Suianshi and Bao Qinwang Bao, were both created for the Qianlong Emperor during his princely days. The future emperor was appointed as Bao Qinwang (Precious Imperial Prince) in 1733 and held the title until ascending the throne in 1736. Sui'anshi (Studio for Peace, Regardless) was named in 1727, during the time the future emperor lived in the Chonghua Palace, although he later used the name for other locations in the numerous Imperial compounds. The two seals used for the impressions on this fan were sold at Sotheby's Hong Kong 3 October 2018, lot 3205.
袁問（生卒年不詳） 草間蟲趣 設色冷金箋 扇面鏡心 一六二七年作
款識：丁卯夏寫，袁問。
鈐印：袁問、一印漫漶難辨、雲窗樓
藏印：（乾隆）隨安室、寶親王寶
邊跋：袁問，字審焉，吳諸生，居杭州。得仇英真諦，纖秀可餐。見《畫髓元詮》
來源:
愛新覺羅·弘曆（乾隆，1711-1799）舊藏
紐約佳士得，「中國古代及當代書畫」，1984年6月29日，拍品編號752
田納西州私人收藏
註：清徐沁（1626-1683）《明畫錄》載，「袁問，字審言，工花卉。」清彭蘊璨（活躍於1820-1850）《歷代畫史彙傳》則載其「字審焉，吳（今江蘇蘇州）諸生，晚年居杭州。得仇英真諦，纖秀可餐。」
該挖鑲扇面卡紙右側見兩枚乾隆帝印章，「寶親王寶」及「隨安室」，皆與《乾隆寶藪》上該二章印蛻相同。