LOT 11
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‡ TOMMASO MANZUOLI, CALLED MASO DA SAN FRIANO (ITALIAN 1531-1571), THE RESURRECTION OF CHRIST
作品估价：GBP 26,000
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图录号：
11
拍品名称：
‡ TOMMASO MANZUOLI, CALLED MASO DA SAN FRIANO (ITALIAN 1531-1571), THE RESURRECTION OF CHRIST
拍品描述：
‡ TOMMASO MANZUOLI, CALLED MASO DA SAN FRIANO (ITALIAN 1531-1571) THE RESURRECTION OF CHRISTTempera on panel, with an arched top31 x 16cm (12 x 6¼ in.)(mounted) UnframedProvenance:Possibly Prince George, Duke of Cambridge (1819-1904) (according to an inscription on verso)Private collection, EnglandSale, London, Phillips, 7 July 1992, lot 47 (as Attributed to Marcello Venusti)There acquired by Richard L. FeigenLiterature:A. Wied, in S. Ferino-Pagden, Vittoria Colonna: Dichterin und Muse Michelangelos, exhibition catalogue, Vienna 1997, p. 477P. Costamagna, Continuity and Innovation: The Art of Maso da San Friano, in Continuity, Innovation and Connoisseurship: Old Master Paintings at the Palmer Museum of Art, University Park, Pennsylvania 2003, p. 41L. Kanter and J. Marciari, Italian Paintings from the Richard L. Feigen Collection, New Haven 2010, pp. 118-121, cat. no. 36, reproducedExhibited:New Haven, Yale University Art Gallery, Italian Paintings from the Richard L. Feigen Collection, 28 May - 12 September 2010, no. 36This finely executed Resurrection of Christ stands as a compelling example of mid-16th century Florentine painting, embodying the stylistic hallmarks of the late Mannerist period. According to Giorgio Vasari, Maso da San Friano (born Tommaso Manzuoli) began his artistic training in the studio of Pier Francesco Foschi and later worked under Carlo Portelli. While his early training was shaped by these artists, Maso's style also reflects the enduring influence of key Florentine painters such as Pontormo and Andrea del Sarto. His figures are distinguished by their refined elegance and bold, expressive use of colour-hallmarks of the Florentine Mannerist tradition-which lend striking monumentality even to works of relatively small scale.Highly esteemed in his own time, Maso secured prestigious commissions, including two celebrated paintings for the Studiolo of Francesco I de' Medici in the Palazzo Vecchio: The Diamond Mine and The Fall of Icarus, both completed in 1570-71.
‡ Indicates that the lot is being sold whilst subject to temporary importation and that import VAT at the reduced rate (currently 5%) calculated on the hammer price is due.
Tempera on panel, with an arched top
‡ Indicates that the lot is being sold whilst subject to temporary importation and that import VAT at the reduced rate (currently 5%) calculated on the hammer price is due.
Tempera on panel, with an arched top