LOT 113
上一件
下一件
Antonio Rosso da Cadore Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
作品估价：USD 30,000 - 50,000
货币换算
成交状态：未知
买家佣金拍卖企业在落槌价的基础上收取买家佣金
26%
图录号：
113
拍品名称：
Antonio Rosso da Cadore Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
拍品描述：
Property from a Family Collection
Antonio Rosso da Cadore
documented in the Veneto 1472 - 1525
Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
signed, dated, and inscribed lower center on stone plinth: Questa opera a fato far Ser livan q[uondam] m[agister] / greguol da Liba[n] abita[n]te al sol da Mel p[er] / sua devot[i]one 1494. Ant[onio] Roso de Cadore depe[n]se
oil on panel
panel: 30 ⅜ by 49 ⅞ in.; 77.2 by 126.7 cm
framed: 48 ½ by 66 ⅛ in.; 123.2 by 168.0 cm
Property from a Family Collection
Antonio Rosso da Cadore
documented in the Veneto 1472 - 1525
Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
signed, dated, and inscribed lower center on stone plinth: Questa opera a fato far Ser livan q[uondam] m[agister] / greguol da Liba[n] abita[n]te al sol da Mel p[er] / sua devot[i]one 1494. Ant[onio] Roso de Cadore depe[n]se
oil on panel
panel: 30 ⅜ by 49 ⅞ in.; 77.2 by 126.7 cm
framed: 48 ½ by 66 ⅛ in.; 123.2 by 168.0 cm
Commissioned for the Church of Libano, near Belluno, 1494;
Giovanni Battista Cadorin, Venice, by 1828;
Thence by descent to his heirs, San Fior di Conegliano;
Probably from whom acquired by Charles Fairfax Murray, Florence;
Private collection, Milan, by 1926 and until at least 1927;
Eugenio Ventura, Florence;
His sale, Milan, Galleria Scopinich, 6 April 1932, lot 58;
With Bardi, Rome, by 1947;
Miani collection, São Paolo, Brazil, by 1956;
Thence by descent to the present collector.
G. Cadorin, in Elogio di Osvaldo Varetoni, Piovano di Candide, Venice 1828, pp. 40-41;
A. Ronzon, Il Cadore, Venice 1877, p. 230;
J.A. Crowe and G.B. Cavalcaselle, A History of Painting in North Italy, T. Borenius (ed.), London 1912, vol. III, pp. 61-62 note 2, cat. no. 3;
S. De Kunert, "Il pittore Antonio Rosso di Cadore," in Rivista mensile della città di Venezia 5 (1926), p. 410;
S. De Kunert, "Aggiunta alla nota sul pittore Antonio Rosso di Cadore," in Rivista mensile della città di Venezia 6 (1927), pp. 27-29, reproduced;
S. De Kunert, "Nuova aggiunta alle note su Antonio Rosso," in Archivio storico di Belluno Feltre e Cadore 18 (1931), p. 262;
F. Chiarelli, "Un quadro di Antonio Rosso," in Archivio storico di Belluno Feltre e Cadore 122 (1953), p. 22;
R. D'Ambros, "Il pittore Antonio Rosso di Cadore," in Archivio storico di Belluno Feltre e Cadore 12 (1955), p. 98;
L. Coletti, "Su Antonio Rosso da Cadore e i pittori Serravallesi," in Venezia e l'Europa, Atti del XVIII congresso internazionale di storia dell'arte, Venice 1956, pp. 201-202;
B. Berenson, Italian Pictures of the Renaissance, Venetian School, 1957, vol. I, p. 151, reproduced fig. 327;
G. Dalla Vestra, "La pittura nel Belluno prima dei Vecellio," Ph.D. diss., University of Padua 1962-1963, p. 60;
G. Dalla Vestra, I pittori bellunesi prima dei Vecellio, Verona 1975, p. 242, cat. no. 92, reproduced fig. 80.
Executed in 1494 by the Friulian artist Antonio Rosso di Cadore, this altarpiece was commissioned by Ser Gregorio da Liban of Sol da Mer for the Church of Libano, near Belluno, as recorded in the inscription at the lower center. Saint John the Baptist, the church’s patron, is given the place of honor to the Madonna’s right, affirming the work’s original devotional context. A follower of the Vivarini, Antonio Rosso here blends the structured clarity of the Paduan tradition with the chromatic warmth of the Venetian school.
Antonio Rosso da Cadore
documented in the Veneto 1472 - 1525
Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
signed, dated, and inscribed lower center on stone plinth: Questa opera a fato far Ser livan q[uondam] m[agister] / greguol da Liba[n] abita[n]te al sol da Mel p[er] / sua devot[i]one 1494. Ant[onio] Roso de Cadore depe[n]se
oil on panel
panel: 30 ⅜ by 49 ⅞ in.; 77.2 by 126.7 cm
framed: 48 ½ by 66 ⅛ in.; 123.2 by 168.0 cm
Property from a Family Collection
Antonio Rosso da Cadore
documented in the Veneto 1472 - 1525
Madonna and Child with Saints Francis of Assisi, John the Baptist, Anthony Abbot, and Mary Magdalene
signed, dated, and inscribed lower center on stone plinth: Questa opera a fato far Ser livan q[uondam] m[agister] / greguol da Liba[n] abita[n]te al sol da Mel p[er] / sua devot[i]one 1494. Ant[onio] Roso de Cadore depe[n]se
oil on panel
panel: 30 ⅜ by 49 ⅞ in.; 77.2 by 126.7 cm
framed: 48 ½ by 66 ⅛ in.; 123.2 by 168.0 cm
Commissioned for the Church of Libano, near Belluno, 1494;
Giovanni Battista Cadorin, Venice, by 1828;
Thence by descent to his heirs, San Fior di Conegliano;
Probably from whom acquired by Charles Fairfax Murray, Florence;
Private collection, Milan, by 1926 and until at least 1927;
Eugenio Ventura, Florence;
His sale, Milan, Galleria Scopinich, 6 April 1932, lot 58;
With Bardi, Rome, by 1947;
Miani collection, São Paolo, Brazil, by 1956;
Thence by descent to the present collector.
G. Cadorin, in Elogio di Osvaldo Varetoni, Piovano di Candide, Venice 1828, pp. 40-41;
A. Ronzon, Il Cadore, Venice 1877, p. 230;
J.A. Crowe and G.B. Cavalcaselle, A History of Painting in North Italy, T. Borenius (ed.), London 1912, vol. III, pp. 61-62 note 2, cat. no. 3;
S. De Kunert, "Il pittore Antonio Rosso di Cadore," in Rivista mensile della città di Venezia 5 (1926), p. 410;
S. De Kunert, "Aggiunta alla nota sul pittore Antonio Rosso di Cadore," in Rivista mensile della città di Venezia 6 (1927), pp. 27-29, reproduced;
S. De Kunert, "Nuova aggiunta alle note su Antonio Rosso," in Archivio storico di Belluno Feltre e Cadore 18 (1931), p. 262;
F. Chiarelli, "Un quadro di Antonio Rosso," in Archivio storico di Belluno Feltre e Cadore 122 (1953), p. 22;
R. D'Ambros, "Il pittore Antonio Rosso di Cadore," in Archivio storico di Belluno Feltre e Cadore 12 (1955), p. 98;
L. Coletti, "Su Antonio Rosso da Cadore e i pittori Serravallesi," in Venezia e l'Europa, Atti del XVIII congresso internazionale di storia dell'arte, Venice 1956, pp. 201-202;
B. Berenson, Italian Pictures of the Renaissance, Venetian School, 1957, vol. I, p. 151, reproduced fig. 327;
G. Dalla Vestra, "La pittura nel Belluno prima dei Vecellio," Ph.D. diss., University of Padua 1962-1963, p. 60;
G. Dalla Vestra, I pittori bellunesi prima dei Vecellio, Verona 1975, p. 242, cat. no. 92, reproduced fig. 80.
Executed in 1494 by the Friulian artist Antonio Rosso di Cadore, this altarpiece was commissioned by Ser Gregorio da Liban of Sol da Mer for the Church of Libano, near Belluno, as recorded in the inscription at the lower center. Saint John the Baptist, the church’s patron, is given the place of honor to the Madonna’s right, affirming the work’s original devotional context. A follower of the Vivarini, Antonio Rosso here blends the structured clarity of the Paduan tradition with the chromatic warmth of the Venetian school.