LOT 112
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Giovanni di Tano Fei Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
作品估价：USD 60,000 - 80,000
货币换算
成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
26%
图录号：
112
拍品名称：
Giovanni di Tano Fei Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
拍品描述：
Property from the Estate of a Private Collector
Giovanni di Tano Fei
Florence active 1384 - 1405
Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
tempera on panel, gold ground, shaped top, in an engaged frame
painted surface: 24 ¼ by 13 ⅝ in.; 61.6 by 34.6 cm
framed: 37 by 18 in.; 94.0 by 45.7 cm
Property from the Estate of a Private Collector
Giovanni di Tano Fei
Florence active 1384 - 1405
Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
tempera on panel, gold ground, shaped top, in an engaged frame
painted surface: 24 ¼ by 13 ⅝ in.; 61.6 by 34.6 cm
framed: 37 by 18 in.; 94.0 by 45.7 cm
Art market, 1980s (as Circle of Alvaro Pirez);
Private collector, Washington, D.C.;
Thence by descent within the family to the late collector.
The attribution of the present painting to Giovanni di Tano Fei, a contemporary of Agnolo Gaddi who worked in Florence at the end of the fifteenth century, was first proposed by Everett Fahy.
Giovanni di Tano Fei
Florence active 1384 - 1405
Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
tempera on panel, gold ground, shaped top, in an engaged frame
painted surface: 24 ¼ by 13 ⅝ in.; 61.6 by 34.6 cm
framed: 37 by 18 in.; 94.0 by 45.7 cm
Property from the Estate of a Private Collector
Giovanni di Tano Fei
Florence active 1384 - 1405
Madonna and Child with Saints Lucy, Catherine of Alexandria, Anthony Abbot, and John the Baptist
tempera on panel, gold ground, shaped top, in an engaged frame
painted surface: 24 ¼ by 13 ⅝ in.; 61.6 by 34.6 cm
framed: 37 by 18 in.; 94.0 by 45.7 cm
Art market, 1980s (as Circle of Alvaro Pirez);
Private collector, Washington, D.C.;
Thence by descent within the family to the late collector.
The attribution of the present painting to Giovanni di Tano Fei, a contemporary of Agnolo Gaddi who worked in Florence at the end of the fifteenth century, was first proposed by Everett Fahy.