LOT 238
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A RARE HUANGUALI TABLE, QIAOTOU'AN Late Ming early Qing Dynasty
作品估价：HKD 1,200,000-1,500,000
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图录号：
238
拍品名称：
A RARE HUANGUALI TABLE, QIAOTOU'AN Late Ming early Qing Dynasty
拍品描述：
Late Ming/early Qing Dynasty
The single panel set within a rectangular frame with evert ends to each narrow side, above plain, beaded aprons and beaded spandrels, all raised on four circular-section legs, joined by pairs of stretchers on the narrow sides.
165cm (65in) wide x 50cm (19 3/4in) deep x 84.5cm (33 1/4in) high.
THE PROPERTY OF A LADY 女士藏品
晚明/清初 黃花梨翹頭案
Purchased from Ho Cheung Antique Furniture, Hong Kong, on 12 January 1998
來源:
1998年1月12日購於何祥木器傢具
Painting tables are rare surviving examples of Ming and early Qing dynasty furniture. The classical form displays in the present table unmarred with decoration reflects the pure and refined aesthetics of the Ming dynasty.
Generally referred to as qiaotouan, this type of table seems to have evolved from altar tables, known as zu, which were used for holding meat offerings as far back as the Eastern Zhou dynasty (771-256 BC). Archaeological evidence shows that altar tables with upturned ends are depicted on archaic bronze vessels, yi, from this era. Additionally, a lacquered low table of this design was excavated from a tomb in Zhaoxiang, Hubei province, and is illustrated in Sarah Handler, 'Side Tables: A Surface for Treasures and the Gods,' Chinese Furniture: Selected Articles from Orientations 1984-1999, Hong Kong, 1999, p.200. During the Ming dynasty, the function of these tables exhibited greater diversity, occasionally for purposes such as displaying antiques, writing calligraphy, or paintings.
Compare a closely related huanghuali painting table, illustrated by G.Ecke, Chinese Domestic Furniture, Beijing, 1944 no.36, pl.46; see also a similar huanghuali painting table, 16th/17th century, illustrated in Splendor of Style: Classical Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.143; another similar table, late Ming dynasty, circa 1600 – 1650, is illustrated in R.H.Ellsworth, et al, Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, New York, 1996, pp.164-165, no.61; a further example from an American collection, is illustrated in Grace Wu Bruce, Two Decades of Ming Furniture, Beijing, 2011, p.53 (top).
Compare a similar but slightly smaller (157cm wide) huanghuali 'painting' table, late Ming dynasty, 17th century, which was sold at Bonhams London, 9 November 2017, lot 88.
傳世畫案數量稀少，屬明、清初家具之珍品。此案通體光素無飾，木色溫潤，案板兩頭翹起，盡顯明代簡練雅致的審美意趣。翹頭案，其形制起源於東周時期的祭壇供桌，用於陳設祭品。其早期形制可見於東周匜器上的紋飾，以及湖北當陽趙巷春秋墓出土的一件漆案，見Sarah Handler，〈Chinese Furniture: Selected Articles from Orientations 1984-1999〉，香港，1999年，頁200。至明代，翹頭案功能擴展，既可陳設於廳堂擺放古玩，亦可用作書房畫案。
比較一件形制相似的黃花梨畫案，著錄於G.Ecke，《Chinese Domestic Furniture》，北京，1944年，編號36，圖版46；另見一件十六/十七世紀黃花梨畫案，載於《風華再現：明清家具收藏展》，台北，1999年，頁143；再比對一件晚明（約1600-1650年）例，載於安思遠等編，《洪氏所藏木器百圖》，紐約，1996年，頁164至165，編號61；美國私人收藏有另一例，見伍嘉恩，《明式家具二十年經眼錄》，北京，2011年，頁53（上圖）。
另比較一件尺寸略小（寬157厘米）的晚明十七世紀黃花梨畫案，售於倫敦邦瀚斯，2017年11月9日，拍品編號88。
The single panel set within a rectangular frame with evert ends to each narrow side, above plain, beaded aprons and beaded spandrels, all raised on four circular-section legs, joined by pairs of stretchers on the narrow sides.
165cm (65in) wide x 50cm (19 3/4in) deep x 84.5cm (33 1/4in) high.
THE PROPERTY OF A LADY 女士藏品
晚明/清初 黃花梨翹頭案
Purchased from Ho Cheung Antique Furniture, Hong Kong, on 12 January 1998
來源:
1998年1月12日購於何祥木器傢具
Painting tables are rare surviving examples of Ming and early Qing dynasty furniture. The classical form displays in the present table unmarred with decoration reflects the pure and refined aesthetics of the Ming dynasty.
Generally referred to as qiaotouan, this type of table seems to have evolved from altar tables, known as zu, which were used for holding meat offerings as far back as the Eastern Zhou dynasty (771-256 BC). Archaeological evidence shows that altar tables with upturned ends are depicted on archaic bronze vessels, yi, from this era. Additionally, a lacquered low table of this design was excavated from a tomb in Zhaoxiang, Hubei province, and is illustrated in Sarah Handler, 'Side Tables: A Surface for Treasures and the Gods,' Chinese Furniture: Selected Articles from Orientations 1984-1999, Hong Kong, 1999, p.200. During the Ming dynasty, the function of these tables exhibited greater diversity, occasionally for purposes such as displaying antiques, writing calligraphy, or paintings.
Compare a closely related huanghuali painting table, illustrated by G.Ecke, Chinese Domestic Furniture, Beijing, 1944 no.36, pl.46; see also a similar huanghuali painting table, 16th/17th century, illustrated in Splendor of Style: Classical Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.143; another similar table, late Ming dynasty, circa 1600 – 1650, is illustrated in R.H.Ellsworth, et al, Chinese Furniture: One Hundred Examples from the Mimi and Raymond Hung Collection, New York, 1996, pp.164-165, no.61; a further example from an American collection, is illustrated in Grace Wu Bruce, Two Decades of Ming Furniture, Beijing, 2011, p.53 (top).
Compare a similar but slightly smaller (157cm wide) huanghuali 'painting' table, late Ming dynasty, 17th century, which was sold at Bonhams London, 9 November 2017, lot 88.
傳世畫案數量稀少，屬明、清初家具之珍品。此案通體光素無飾，木色溫潤，案板兩頭翹起，盡顯明代簡練雅致的審美意趣。翹頭案，其形制起源於東周時期的祭壇供桌，用於陳設祭品。其早期形制可見於東周匜器上的紋飾，以及湖北當陽趙巷春秋墓出土的一件漆案，見Sarah Handler，〈Chinese Furniture: Selected Articles from Orientations 1984-1999〉，香港，1999年，頁200。至明代，翹頭案功能擴展，既可陳設於廳堂擺放古玩，亦可用作書房畫案。
比較一件形制相似的黃花梨畫案，著錄於G.Ecke，《Chinese Domestic Furniture》，北京，1944年，編號36，圖版46；另見一件十六/十七世紀黃花梨畫案，載於《風華再現：明清家具收藏展》，台北，1999年，頁143；再比對一件晚明（約1600-1650年）例，載於安思遠等編，《洪氏所藏木器百圖》，紐約，1996年，頁164至165，編號61；美國私人收藏有另一例，見伍嘉恩，《明式家具二十年經眼錄》，北京，2011年，頁53（上圖）。
另比較一件尺寸略小（寬157厘米）的晚明十七世紀黃花梨畫案，售於倫敦邦瀚斯，2017年11月9日，拍品編號88。