LOT 221
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A BLUE AND WHITE 'ROMANCE OF THE THREE KINGDOMS' VASE, GU Chenghua six-character mark, Kangxi
作品估价：HKD 180,000-280,000
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成交状态：待拍
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图录号：
221
拍品名称：
A BLUE AND WHITE 'ROMANCE OF THE THREE KINGDOMS' VASE, GU Chenghua six-character mark, Kangxi
拍品描述：
Chenghua six-character mark, Kangxi
The trumpet shaped neck well painted with a scene from the 'Romance of the Three Kingdoms' depicting foot and mounted warriors and a scholar below a walled city as well as an inscription, the globular mid-section finely painted with boys at play amidst rockwork, all above the tall spreading foot painted with scholar playing
weiqi and attendants carrying a wine jar and a box, the base with the apocryphal mark.
41cm (16 1/8in) high.
清康熙 青花三國八陣圖觚式瓶
青花「大明成化年製」楷書款
Sotheby's London, 13 July 2006, lot 629
來源：
倫敦蘇富比，2006年7月13日，拍品編號629
The vase is inscribed:
鐵騎雲屯白帝城
臥龍籌策已經營
甲兵十萬漁腹蒲
八陣迷途驚後昆
Which may be translated as:
'Iron cavalry gathered like clouds at Baidi Castle,
The Sleeping Dragon [Zhuge Liang] had already devised his plans.
A hundred thousand armoured troops fell like fish in a net,
Lost in the Eightfold Formation, leaving future generations in awe.'
A very similar blue and white 'Romance of the Three Kingdoms' vase, gu, Kangxi, is in the Palace Museum, Beijing, illustrated in Blue and White Porcelain of the Shunzhi and Kangxi Reigns of the Qing Dynasty, Beijing, 2005, p.491, no.317. The present vase is painted with a scene from the 'Romance of the Three Kingdoms', a 14th century novel attributed to Luo Guanzong. The story is set in the turbulent years leading to the end of the Han dynasty and the Three Kingdoms period, 2nd-3rd century AD. The novel tells the tale of the the three states, Cao Wei, Shu Han and Eastern Wu in their struggle to achieve dominance. The historical novel gained popularity during the Ming dynasty due to the wide circulation of woodblock prints, and continued as a frequent motif on porcelains of the late Ming and early Qing periods; see for example, a blue and white rouleau vase, Chongzhen, which was sold at Bonhams London, Knightsbridge, 15 May 2023, lot 196.
In chapter 84 of the 'Romance of the Three Kingdoms', General Lu Xun, after pursuing Liu Bei to Baidicheng, stumbled into Zhuge Liang's 'Stone Sentinel Maze' or 'Eight Formations' : a labyrinth of rocks designed according to the ba gua concept. As Lu Xun struggled to escape the swirling dust storms and illusory army sounds, an old man appeared and guided him out. The man revealed himself as Huang Chengyuan, Zhuge Liang's father-in-law, who explained that Zhuge Liang had predicted a Wu general would fall into the maze but had instructed Huang not to lead him out. Despite this, Huang took pity on Lu Xun and saved him. Humbled by Zhuge Liang's superior intellect, Lu Xun returned to camp, admitting his own inferiority and planning a retreat to avoid a potential Cao Wei attack.
See a related blue and white 'Romance of the Three Kingdoms' rouleau vase, Kangxi, which was sold at Sotheby's New York, 20 March 2024, lot 352.
此瓶外壁以青花裝飾，通景描繪了《三國演義》中的故事，題有：鐵騎雲屯白帝城，臥龍籌策已經營，甲兵十萬漁腹蒲，八陣迷途驚後昆。
比較北京故宮所藏一件極為近似的康熙時期青花三國演義故事圖觚式瓶，載於《清順治康熙朝青花瓷》，北京，2005年，頁491，圖版317。本瓶所繪之場景源自《三國演義》，背景定於東漢末年至三國時期，敘述魏、蜀、吳三國爭霸。及至明代因木版畫廣泛流傳而盛行，並成為明末清初瓷器常見之題材。參考一件明崇禎青花三國演義故事圖筒瓶，售於倫敦騎士橋邦瀚斯，2023年5月15日，拍品編號196。
《三國演義》第八十四回記載，陸遜追擊劉備至白帝城後，誤入諸葛亮布下的「八陣圖」石陣迷宮。當陸遜困於飛沙走石與幻聽軍馬之聲時，得黃承彥指引脫險。老者自承乃諸葛亮岳父，並透露諸葛亮早有預言將有吳將受困，但囑咐勿加援手。黃承彥因憐陸遜而破例相救。陸遜終為諸葛亮智謀所折服，自嘆弗如，遂退兵以防曹魏偷襲。
另參考一件清康熙青花三國演義故事圖筒瓶，售於紐約蘇富比，2024年3月20日，編號352。
The trumpet shaped neck well painted with a scene from the 'Romance of the Three Kingdoms' depicting foot and mounted warriors and a scholar below a walled city as well as an inscription, the globular mid-section finely painted with boys at play amidst rockwork, all above the tall spreading foot painted with scholar playing
weiqi and attendants carrying a wine jar and a box, the base with the apocryphal mark.
41cm (16 1/8in) high.
清康熙 青花三國八陣圖觚式瓶
青花「大明成化年製」楷書款
Sotheby's London, 13 July 2006, lot 629
來源：
倫敦蘇富比，2006年7月13日，拍品編號629
The vase is inscribed:
鐵騎雲屯白帝城
臥龍籌策已經營
甲兵十萬漁腹蒲
八陣迷途驚後昆
Which may be translated as:
'Iron cavalry gathered like clouds at Baidi Castle,
The Sleeping Dragon [Zhuge Liang] had already devised his plans.
A hundred thousand armoured troops fell like fish in a net,
Lost in the Eightfold Formation, leaving future generations in awe.'
A very similar blue and white 'Romance of the Three Kingdoms' vase, gu, Kangxi, is in the Palace Museum, Beijing, illustrated in Blue and White Porcelain of the Shunzhi and Kangxi Reigns of the Qing Dynasty, Beijing, 2005, p.491, no.317. The present vase is painted with a scene from the 'Romance of the Three Kingdoms', a 14th century novel attributed to Luo Guanzong. The story is set in the turbulent years leading to the end of the Han dynasty and the Three Kingdoms period, 2nd-3rd century AD. The novel tells the tale of the the three states, Cao Wei, Shu Han and Eastern Wu in their struggle to achieve dominance. The historical novel gained popularity during the Ming dynasty due to the wide circulation of woodblock prints, and continued as a frequent motif on porcelains of the late Ming and early Qing periods; see for example, a blue and white rouleau vase, Chongzhen, which was sold at Bonhams London, Knightsbridge, 15 May 2023, lot 196.
In chapter 84 of the 'Romance of the Three Kingdoms', General Lu Xun, after pursuing Liu Bei to Baidicheng, stumbled into Zhuge Liang's 'Stone Sentinel Maze' or 'Eight Formations' : a labyrinth of rocks designed according to the ba gua concept. As Lu Xun struggled to escape the swirling dust storms and illusory army sounds, an old man appeared and guided him out. The man revealed himself as Huang Chengyuan, Zhuge Liang's father-in-law, who explained that Zhuge Liang had predicted a Wu general would fall into the maze but had instructed Huang not to lead him out. Despite this, Huang took pity on Lu Xun and saved him. Humbled by Zhuge Liang's superior intellect, Lu Xun returned to camp, admitting his own inferiority and planning a retreat to avoid a potential Cao Wei attack.
See a related blue and white 'Romance of the Three Kingdoms' rouleau vase, Kangxi, which was sold at Sotheby's New York, 20 March 2024, lot 352.
此瓶外壁以青花裝飾，通景描繪了《三國演義》中的故事，題有：鐵騎雲屯白帝城，臥龍籌策已經營，甲兵十萬漁腹蒲，八陣迷途驚後昆。
比較北京故宮所藏一件極為近似的康熙時期青花三國演義故事圖觚式瓶，載於《清順治康熙朝青花瓷》，北京，2005年，頁491，圖版317。本瓶所繪之場景源自《三國演義》，背景定於東漢末年至三國時期，敘述魏、蜀、吳三國爭霸。及至明代因木版畫廣泛流傳而盛行，並成為明末清初瓷器常見之題材。參考一件明崇禎青花三國演義故事圖筒瓶，售於倫敦騎士橋邦瀚斯，2023年5月15日，拍品編號196。
《三國演義》第八十四回記載，陸遜追擊劉備至白帝城後，誤入諸葛亮布下的「八陣圖」石陣迷宮。當陸遜困於飛沙走石與幻聽軍馬之聲時，得黃承彥指引脫險。老者自承乃諸葛亮岳父，並透露諸葛亮早有預言將有吳將受困，但囑咐勿加援手。黃承彥因憐陸遜而破例相救。陸遜終為諸葛亮智謀所折服，自嘆弗如，遂退兵以防曹魏偷襲。
另參考一件清康熙青花三國演義故事圖筒瓶，售於紐約蘇富比，2024年3月20日，編號352。