LOT 209
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A RARE GILT-BRONZE FIGURE OF MAITREYA Mongolia, Dolonnor, 18th century
作品估价：HKD 300,000-500,000
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成交状态：流拍
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28%
图录号：
209
拍品名称：
A RARE GILT-BRONZE FIGURE OF MAITREYA Mongolia, Dolonnor, 18th century
拍品描述：
Mongolia, Dolonnor, 18th century
The standing deity, a representation of Maitreya, the Buddha of the Future, who can be identified by the stupa adorning the front of his hair and the
kundika, or water pot, blossoming from a flower by his left shoulder, the
dharmic wheel of law atop the right lotus blossom flanking his side, the bellowing scarf on either side, lotus blossoms and embellished turquoise and coral crown elements in repousse, all atop a lotus pedestal, sealed.
52.5cm (20 5/8in) high.
蒙古 多倫諾爾 十八世紀 銅鎏金彌勒菩薩立像
Sze Tak Tong Collection
來源：
世德堂藏品
The inclusion of a the dharmic wheel by his right shoulder likely foreshadows a prophecy dating back to China's earliest phase of Buddhism. According to legend, Maitreya is destined to bring forth a new age of enlightenment and Buddhist teachings following a cataclysmic period known as the Latter Day of the Law, and will once again turn the Wheel of the Dharma.
The Dolonnor ateliers of Inner Mongolia, well known for their metalworking techniques involving the use of repoussé to hammer sheets of copper, catered to the rapid expansion of Tibetan Buddhist temples along the border regions of the Qing Empire, particularly during the reign of the Qianlong Emperor. Compare a gilt-brass white Tara, Qianlong, in the Qing Court Collection, which like the present lot, shows contrasting matt and burnished gold, illustrated in The Complete Collection of Treasures of the Palace Museum: Buddhist Statues of Tibet, Hong Kong, 2003, p.258, no.247.
Compare with a similar but larger silver and parcel-gilt and silvered copper repoussé figure of Maitreya, Dolonnor, 18th century, which was sold at Bonhams New York, 20 March 2024, lot 718.
此造像右肩所飾之法輪，或預示佛教初傳中土時之預言。相傳在末法時期，釋迦牟尼佛的繼承者彌勒將會降生人間，重啟法輪，普渡眾生。
內蒙古多倫諾爾的作坊以錘揲工藝聞名，為日益擴張的邊境藏傳佛寺生產造像，尤盛於乾隆朝。比較清宮舊藏一件乾隆時期黃銅鎏金白度母像，著錄於《故宮博物院藏文物珍品大系：藏傳佛教造像》，香港，2003年，頁258，編號247，其啞光與亮金之對比與本拍品類同。
比較一件清代多倫諾爾十八世紀銀及銅局部鎏金鎏銀錘揲彌勒像，尺寸較大，售於紐約邦瀚斯，2024年3月20日，拍品編號718。
The standing deity, a representation of Maitreya, the Buddha of the Future, who can be identified by the stupa adorning the front of his hair and the
kundika, or water pot, blossoming from a flower by his left shoulder, the
dharmic wheel of law atop the right lotus blossom flanking his side, the bellowing scarf on either side, lotus blossoms and embellished turquoise and coral crown elements in repousse, all atop a lotus pedestal, sealed.
52.5cm (20 5/8in) high.
蒙古 多倫諾爾 十八世紀 銅鎏金彌勒菩薩立像
Sze Tak Tong Collection
來源：
世德堂藏品
The inclusion of a the dharmic wheel by his right shoulder likely foreshadows a prophecy dating back to China's earliest phase of Buddhism. According to legend, Maitreya is destined to bring forth a new age of enlightenment and Buddhist teachings following a cataclysmic period known as the Latter Day of the Law, and will once again turn the Wheel of the Dharma.
The Dolonnor ateliers of Inner Mongolia, well known for their metalworking techniques involving the use of repoussé to hammer sheets of copper, catered to the rapid expansion of Tibetan Buddhist temples along the border regions of the Qing Empire, particularly during the reign of the Qianlong Emperor. Compare a gilt-brass white Tara, Qianlong, in the Qing Court Collection, which like the present lot, shows contrasting matt and burnished gold, illustrated in The Complete Collection of Treasures of the Palace Museum: Buddhist Statues of Tibet, Hong Kong, 2003, p.258, no.247.
Compare with a similar but larger silver and parcel-gilt and silvered copper repoussé figure of Maitreya, Dolonnor, 18th century, which was sold at Bonhams New York, 20 March 2024, lot 718.
此造像右肩所飾之法輪，或預示佛教初傳中土時之預言。相傳在末法時期，釋迦牟尼佛的繼承者彌勒將會降生人間，重啟法輪，普渡眾生。
內蒙古多倫諾爾的作坊以錘揲工藝聞名，為日益擴張的邊境藏傳佛寺生產造像，尤盛於乾隆朝。比較清宮舊藏一件乾隆時期黃銅鎏金白度母像，著錄於《故宮博物院藏文物珍品大系：藏傳佛教造像》，香港，2003年，頁258，編號247，其啞光與亮金之對比與本拍品類同。
比較一件清代多倫諾爾十八世紀銀及銅局部鎏金鎏銀錘揲彌勒像，尺寸較大，售於紐約邦瀚斯，2024年3月20日，拍品編號718。