LOT 204
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A VERY RARE BLUE AND WHITE 'GUANYIN, SUDHANA AND LONGNÜ' CIRCULAR PLAQUE Chenghua
作品估价：HKD 100,000-150,000
货币换算
成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
28%
图录号：
204
拍品名称：
A VERY RARE BLUE AND WHITE 'GUANYIN, SUDHANA AND LONGNÜ' CIRCULAR PLAQUE Chenghua
拍品描述：
Chenghua
Superbly painted in darker and lighter shades of blue with the bodhisattva Guanyin seated on a mat with its hands clasped in
anjali
mudra, flanked on either lower sides by the acolytes Sudhana on the left and Longnü on the right, each standing atop a cloud, with a further figure, possibly depicting Weituo seated atop a cloud holding a wrapped sword, with cloud-covered cliffs to the left with bamboo and pine, all above a lotus pond, encircled by a double underglaze blue line, framed.
The plaque: 21cm (8 1/4in) diam.
明成化 青花觀音及善財龍女圓屏
Sotheby's London, 15 December 1981, lot 189
Sze Tak Tong Collection
來源：
倫敦蘇富比，1981年12月15日，拍品編號189
世德堂藏品
The present plaque is a superb example of Chenghua period blue and white porcelain. The soft elegant style of painting, typical of the period, is here accentuated with a degree of 'heaping and piling', with varying shades of underglaze blue, adding depth to the remarkable composition.
The Chenghua Emperor demonstrated profound reverence for Buddhism, regularly reciting the Buddhist texts and summoning scribes to transcribe. Tibetan monks were invited to the court to perform ritual recitations, while some took up residence in Beijing, establishing monasteries. It is in this context that the present lot, depicting Guanyin and her acolytes as well as possibly Weituo, was commissioned, likely to be inset within a screen or another piece of furniture.
Compare two closely related blue and white circular plaques, Chenghua, which were sold at Christie's New York, 19 September 2014, lot 846, depicting Guanyin and probably Sudhana, and 15 September 2011, lot 1477, depicting three scholars and two attendants below a pavilion emerging from the clouds. The same style of painting can also be seen on a blue and white rectangular plaque, Chenghua, which was sold at Bonhams London, The du Boulay Collection of Chinese Ceramics, 10 November 2003, lot 103, and which was previously sold by Bluett & Sons, Ltd., London, 11 June 1981, and before at Sotheby's London, 3 April 1979, lot 154.
本拍品釉色灰藍淡雅，青花帶濃淡層次，乃成化青花瓷器之典型例子。
成化帝崇佛，常誦佛經，並召人入宮抄寫。又請藏僧入宮，誦經行法。一些藏僧還在京修建寺院。此圓屏繪觀音菩薩於中央，善財、龍女及韋陀隨侍在側，應為鑲嵌於屏風、家具上。
比較兩件成化時期青花圓屏：其一繪觀音與善財，售於紐約佳士得，2014年9月19日，拍品編號846；其二繪亭閣高士圖，同樣售於紐約佳士得，2011年9月15日，拍品編號1477。同類畫風亦見於一件成化時期青花長方屏，售於倫敦蘇富比，1979年4月3日，拍品編號154；後經倫敦古董商Bluett & Sons釋出，1981年6月11日；並於倫敦邦瀚斯Du Boulay藏瓷專場再次易手，2003年11月10日，拍品編號103。
Superbly painted in darker and lighter shades of blue with the bodhisattva Guanyin seated on a mat with its hands clasped in
anjali
mudra, flanked on either lower sides by the acolytes Sudhana on the left and Longnü on the right, each standing atop a cloud, with a further figure, possibly depicting Weituo seated atop a cloud holding a wrapped sword, with cloud-covered cliffs to the left with bamboo and pine, all above a lotus pond, encircled by a double underglaze blue line, framed.
The plaque: 21cm (8 1/4in) diam.
明成化 青花觀音及善財龍女圓屏
Sotheby's London, 15 December 1981, lot 189
Sze Tak Tong Collection
來源：
倫敦蘇富比，1981年12月15日，拍品編號189
世德堂藏品
The present plaque is a superb example of Chenghua period blue and white porcelain. The soft elegant style of painting, typical of the period, is here accentuated with a degree of 'heaping and piling', with varying shades of underglaze blue, adding depth to the remarkable composition.
The Chenghua Emperor demonstrated profound reverence for Buddhism, regularly reciting the Buddhist texts and summoning scribes to transcribe. Tibetan monks were invited to the court to perform ritual recitations, while some took up residence in Beijing, establishing monasteries. It is in this context that the present lot, depicting Guanyin and her acolytes as well as possibly Weituo, was commissioned, likely to be inset within a screen or another piece of furniture.
Compare two closely related blue and white circular plaques, Chenghua, which were sold at Christie's New York, 19 September 2014, lot 846, depicting Guanyin and probably Sudhana, and 15 September 2011, lot 1477, depicting three scholars and two attendants below a pavilion emerging from the clouds. The same style of painting can also be seen on a blue and white rectangular plaque, Chenghua, which was sold at Bonhams London, The du Boulay Collection of Chinese Ceramics, 10 November 2003, lot 103, and which was previously sold by Bluett & Sons, Ltd., London, 11 June 1981, and before at Sotheby's London, 3 April 1979, lot 154.
本拍品釉色灰藍淡雅，青花帶濃淡層次，乃成化青花瓷器之典型例子。
成化帝崇佛，常誦佛經，並召人入宮抄寫。又請藏僧入宮，誦經行法。一些藏僧還在京修建寺院。此圓屏繪觀音菩薩於中央，善財、龍女及韋陀隨侍在側，應為鑲嵌於屏風、家具上。
比較兩件成化時期青花圓屏：其一繪觀音與善財，售於紐約佳士得，2014年9月19日，拍品編號846；其二繪亭閣高士圖，同樣售於紐約佳士得，2011年9月15日，拍品編號1477。同類畫風亦見於一件成化時期青花長方屏，售於倫敦蘇富比，1979年4月3日，拍品編號154；後經倫敦古董商Bluett & Sons釋出，1981年6月11日；並於倫敦邦瀚斯Du Boulay藏瓷專場再次易手，2003年11月10日，拍品編號103。