LOT 121
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A BLACK LACQUER MOTHER-OF-PEARL INLAID THREE-TIERED SQUARE BOX AND COVER Late Yuan to early Ming Dynasty (4)
作品估价：HKD 350,000-550,000
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图录号：
121
拍品名称：
A BLACK LACQUER MOTHER-OF-PEARL INLAID THREE-TIERED SQUARE BOX AND COVER Late Yuan to early Ming Dynasty (4)
拍品描述：
Late Yuan to early Ming Dynasty
Of three-tiered square section with indented corners, supported on a slightly recessed splayed foot bordered by a band of dots, meticulously inlaid in slivers of mother-of-pearl on a black lacquer ground, the cover depicted with a scene of a scholar and his attendants arriving at a mansion with two pavilions, all surrounded by cartouches enclosing figural scenes against a rural landscape, the sides inlaid with similar cartouches, all reserved on a floral diaper ground, the bottom section and foot further decorated with cartouches enclosing scenes of plants and animals respectively, the interior and base lacquered brownish-black save for the cinnabar top of the middle tray, fitted box.
23.5cm (9 1/4in) high. (4).
元末明初 黑漆嵌螺鈿訪友圖三層委角方盒
Keitaku Takagi (K.T. Lee), Gammon House Art Gallery Ltd., Hong Kong, March 1979
, Published and Illustrated:
The Oriental Ceramic Society of Hong Kong and the Art Gallery, The Chinese University of Hong Kong, 2000 Years of Chinese Lacquer, Hong Kong, 1993, no.92
Art Museum, Institute of Chinese Studies, The Chinese University of Hong Kong, Layered Beauty: The Baoyizhai Collection of Chinese Lacquer, Hong Kong, 2010, no.26
來源：
李經澤，Gammon House Art Gallery Ltd.，香港，1979年3月
展覽著錄：
香港東方陶瓷學會及香港中文大學文物館，《中國漆藝二千年》，香港，1993年，編號92
香港中文大學文物館，《疊彩：抱一齋藏中國漆器》，香港，2010年，編號26
The current lacquer box, crafted with exquisite mother-of-pearl inlay, represents a remarkable example of lacquer art which was produced since the Yuan dynasty. The exceptional delicacy and intricacy of the inlaid decoration, along with the complexity and artistry of the box's overall design, distinguish it as an exceptional piece of its type.
See a related tiered square box with indented corners, late Yuan to early Ming period, in the Metropolitan Museum of Art, New York, illustrated in East Asian Lacquer: The Florence and Herbert Irving Collection, New York, 1991, no.57. See also a prunus-form lobed box, Yuan dynasty, in the Nezu Institute of Fine Arts, Tokyo, illustrated in The Colors and Forms of Song and Yuan China, Tokyo, 2004, no.131; and another black lacquer hexagonal box, early Ming period, in the Muwen Tang Collection, illustrated in Chinese Lacquer, Hong Kong, 2010, pp.170-171, no.43.
Compare a two-tier mother-of-pearl-inlaid black lacquer box, Ming dynasty, sold at Christie's New York, 17 September 2010, lot 1260.
此盒工藝考究，螺鈿鑲嵌精妙，紋飾構圖繁密，華美瑰麗，整體構思匠心獨運，是同類器物中的佳作及典范，反映其時螺鈿漆工藝水平之精湛。
參考紐約大都會藝術博物館藏元末明初一例，著錄於《East Asian Lacquer: The Florence and Herbert Irving Collection》，紐約，1991年，編號57。另見東京根津美術館藏一件元代螺鈿人物樓閣圖梅瓣式漆盒，見《宋元の色とかたち》，東京，2004年，編號131。又可參考沐文堂藏一件明初黑漆螺鈿夏日迎賓圖六角奩，著錄於《中國漆藝》，香港，2010年，頁170至171，編號43。
比較一件明代黑漆嵌螺鈿人物樓閣圖六方蓋盒，售於紐約佳士得，2010年9月17日，拍品編號1260。
Of three-tiered square section with indented corners, supported on a slightly recessed splayed foot bordered by a band of dots, meticulously inlaid in slivers of mother-of-pearl on a black lacquer ground, the cover depicted with a scene of a scholar and his attendants arriving at a mansion with two pavilions, all surrounded by cartouches enclosing figural scenes against a rural landscape, the sides inlaid with similar cartouches, all reserved on a floral diaper ground, the bottom section and foot further decorated with cartouches enclosing scenes of plants and animals respectively, the interior and base lacquered brownish-black save for the cinnabar top of the middle tray, fitted box.
23.5cm (9 1/4in) high. (4).
元末明初 黑漆嵌螺鈿訪友圖三層委角方盒
Keitaku Takagi (K.T. Lee), Gammon House Art Gallery Ltd., Hong Kong, March 1979
, Published and Illustrated:
The Oriental Ceramic Society of Hong Kong and the Art Gallery, The Chinese University of Hong Kong, 2000 Years of Chinese Lacquer, Hong Kong, 1993, no.92
Art Museum, Institute of Chinese Studies, The Chinese University of Hong Kong, Layered Beauty: The Baoyizhai Collection of Chinese Lacquer, Hong Kong, 2010, no.26
來源：
李經澤，Gammon House Art Gallery Ltd.，香港，1979年3月
展覽著錄：
香港東方陶瓷學會及香港中文大學文物館，《中國漆藝二千年》，香港，1993年，編號92
香港中文大學文物館，《疊彩：抱一齋藏中國漆器》，香港，2010年，編號26
The current lacquer box, crafted with exquisite mother-of-pearl inlay, represents a remarkable example of lacquer art which was produced since the Yuan dynasty. The exceptional delicacy and intricacy of the inlaid decoration, along with the complexity and artistry of the box's overall design, distinguish it as an exceptional piece of its type.
See a related tiered square box with indented corners, late Yuan to early Ming period, in the Metropolitan Museum of Art, New York, illustrated in East Asian Lacquer: The Florence and Herbert Irving Collection, New York, 1991, no.57. See also a prunus-form lobed box, Yuan dynasty, in the Nezu Institute of Fine Arts, Tokyo, illustrated in The Colors and Forms of Song and Yuan China, Tokyo, 2004, no.131; and another black lacquer hexagonal box, early Ming period, in the Muwen Tang Collection, illustrated in Chinese Lacquer, Hong Kong, 2010, pp.170-171, no.43.
Compare a two-tier mother-of-pearl-inlaid black lacquer box, Ming dynasty, sold at Christie's New York, 17 September 2010, lot 1260.
此盒工藝考究，螺鈿鑲嵌精妙，紋飾構圖繁密，華美瑰麗，整體構思匠心獨運，是同類器物中的佳作及典范，反映其時螺鈿漆工藝水平之精湛。
參考紐約大都會藝術博物館藏元末明初一例，著錄於《East Asian Lacquer: The Florence and Herbert Irving Collection》，紐約，1991年，編號57。另見東京根津美術館藏一件元代螺鈿人物樓閣圖梅瓣式漆盒，見《宋元の色とかたち》，東京，2004年，編號131。又可參考沐文堂藏一件明初黑漆螺鈿夏日迎賓圖六角奩，著錄於《中國漆藝》，香港，2010年，頁170至171，編號43。
比較一件明代黑漆嵌螺鈿人物樓閣圖六方蓋盒，售於紐約佳士得，2010年9月17日，拍品編號1260。