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A DINGYAO CARVED 'LOTUS-PATTERN' SAUCER-DISH Jin Dynasty (2)
作品估价：GBP 7,000-10,000
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成交状态：待拍
买家佣金拍卖企业在落槌价的基础上收取买家佣金
27.5%
图录号：
3
拍品名称：
A DINGYAO CARVED 'LOTUS-PATTERN' SAUCER-DISH Jin Dynasty (2)
拍品描述：
Jin Dynasty
The shallow saucer with tapering sides carved to the flat well with an elegant scrolling lotus, all covered in a creamy ivory-white glaze, the rim with metal mount, box.
11.5cm (4 1/2in) diam. (2).
金 定窯白釉刻劃花蓮花紋鑲銅口盤
Paul Champkins, The Grosvenor House Art & Antiques Fair, London
Emmanuel Christofides (1928-2020), Athens and London, acquired from the above on 14 June 1997
Published and Illustrated:
D.Priestley and M.Flacks, A Life in the Company of Song Ceramics, London, 2017, pp.94-95, no.41
來源：
Paul Champkins，The Grosvenor House藝術與古董博覽會，倫敦
Emmanuel Christofides (1928-2020)，雅典和倫敦，從上處獲得於1997年6月14日
著錄：
D.Priestley和M.Flacks，《A Life in the Company of Song Ceramics》，倫敦，2017年，第94-95頁，編號41
Compare with a similar pair of Dingyao carved floral-pattern dishes, Northern Song dynasty, 11th or 12th century, but without metal rims, illustrated in Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty: Examples from the Kai-Yin Lo Collection, Hong Kong, 1998, pp.124-125. See also a related Dingyao dish of this form in the Palace Museum, Taipei, carved with a similar lotus and foliage motif, illustrated in Dingyao baici tezhan tulu, Taipei, 1987, no.113. Compare also with a Dingyao dish of related form, similarly carved with a lotus spray carved to fill the flat interior, illustrated by R.Krahl, Chinese Ceramics from the Meiyintang Collection, vol.1, London, 1994, p.204, no.358, where the author cites a similar carved Dingyao dish discovered in a tomb dated by epitaph to between A.D. 1153 and 1160, illustrated in line drawings in Wenwu, 1988, No.7, p.62, fig.16-5.
See a similar Dingyao carved 'lotus' saucer dish, Northern Song dynasty, which was sold at Bonhams London, 9 November 2017, lot 65.
The shallow saucer with tapering sides carved to the flat well with an elegant scrolling lotus, all covered in a creamy ivory-white glaze, the rim with metal mount, box.
11.5cm (4 1/2in) diam. (2).
金 定窯白釉刻劃花蓮花紋鑲銅口盤
Paul Champkins, The Grosvenor House Art & Antiques Fair, London
Emmanuel Christofides (1928-2020), Athens and London, acquired from the above on 14 June 1997
Published and Illustrated:
D.Priestley and M.Flacks, A Life in the Company of Song Ceramics, London, 2017, pp.94-95, no.41
來源：
Paul Champkins，The Grosvenor House藝術與古董博覽會，倫敦
Emmanuel Christofides (1928-2020)，雅典和倫敦，從上處獲得於1997年6月14日
著錄：
D.Priestley和M.Flacks，《A Life in the Company of Song Ceramics》，倫敦，2017年，第94-95頁，編號41
Compare with a similar pair of Dingyao carved floral-pattern dishes, Northern Song dynasty, 11th or 12th century, but without metal rims, illustrated in Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty: Examples from the Kai-Yin Lo Collection, Hong Kong, 1998, pp.124-125. See also a related Dingyao dish of this form in the Palace Museum, Taipei, carved with a similar lotus and foliage motif, illustrated in Dingyao baici tezhan tulu, Taipei, 1987, no.113. Compare also with a Dingyao dish of related form, similarly carved with a lotus spray carved to fill the flat interior, illustrated by R.Krahl, Chinese Ceramics from the Meiyintang Collection, vol.1, London, 1994, p.204, no.358, where the author cites a similar carved Dingyao dish discovered in a tomb dated by epitaph to between A.D. 1153 and 1160, illustrated in line drawings in Wenwu, 1988, No.7, p.62, fig.16-5.
See a similar Dingyao carved 'lotus' saucer dish, Northern Song dynasty, which was sold at Bonhams London, 9 November 2017, lot 65.