LOT 717
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A katana Signed Soshu ju Tsunahiro (Tsunahiro, a resident of Sagami Province) Muromachi period, 16th century
作品估价：USD 40,000-50,000
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图录号：
717
拍品名称：
A katana Signed Soshu ju Tsunahiro (Tsunahiro, a resident of Sagami Province) Muromachi period, 16th century
拍品描述：
Yoshikawa Koen et al, Yushuto zuroku [Catalogue of Excellent Swords], volume two (Tokyo, 1979), p. 18, no. 13.
Iimura Yoshiaki, Yumei koto taikan [An Encyclopaedia of Famous Old Swords] (Tokyo, 1982), p. 372.
MitsuoShibata, Nihon no meito [Important Japanese Art Swords] (Tokyo 1966), p. 160.
Shibata Mitsuo, Katana mei nyumon [An Introduction to Famous Swords] (Tokyo, 1971), p. 203.
Yoshikawa Koen et. al., trans. Gordon Robson, Sue-Koto: Japanese Swords of the 15th & 16th Centuries, volume one, (Albuquerque, 2006), p. 145, no. 53.
Art of the Samurai: The Paul L. Davidson Collection (New York, 2023), p. 34 and 82.
A katana
Signed Soshu ju Tsunahiro (Tsunahiro, a resident of Sagami Province)
Muromachi period, 16th century
Sugata[configuration]: highshinogi-zukuri, shin no mune, pronounced saki-zori
Kitae[forging pattern]:pronounced and densely packed o-itame hada, prominent masame towards the mune, covered in ji-nie
Hamon[tempering pattern]: widely hardened gunome-midare which shows muneyaki from the monouchi towards the tip, elegantly tempered hitatsura in style that is mixed with kinsuji and sunagashi and that features plenty of activity, the habuchi in scattered ara-nie
Boshi[tip]:wide kaeri, tending to hitatsura, deeply tempered in ichimai style and with intense muneyuki
Horimono [carvings]: deeply carved dokko ken on the omote, the ura with bonji above gomabashi
Nakago[tang]:ubu, tanago-bara [‘fish-belly form] the yasurime file markings are kiri, one mekug-ana
Inshirasaya[plain wood scabbard] with sayagaki by Tanobe Michihiro
Koshirae[mount]: the black lacquered leather ground tachi saya decorated in gold hiramaki-e and takamaki-e with hanabishi, shakudo nanako fittings, the gilt menuki in the form of further hanabishi, the iron tsuba mounted with silver seppa
Nagasa[length fromkissakitomachi]: 67.6 cm., 26⅝ in.
Sori[curvature]: 2.4 cm., ⅞ in.
Moto-haba[width at themachi]: 2.9 cm., 1⅛ in.
Kasane: 0.6 cm., ¼ in.
The blade accompanied by a certificate of registration as Tokubetsu Hozon Token [Sword Especially Worthy of Preservation], no. 1003339 issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Heisei 27 (2015).
The tachi koshirae accompanied by a certificate of registration as Koshu Tokubetsu Kicho [First Grade, Especially Important], no. 5297 issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Showa 50 (1975).
The sayagaki by Tanobe Michihiro has been translated as:
Tsunahiro, from Sagami Province
Ubu nakago, there is a five-character signature, Eiroku era.
He is the second-generation sword smith of Tsunahiro.
The tempering pattern is hitatsura, one of his most preferred types
This blade is extremely high level among his works, the carving is also skillful.
Blade Length: 67.7 cm.
Judged in the Year of 2015 by Tanzan Hendo and kao [cursive monogram].
Iimura Yoshiaki, Yumei koto taikan [An Encyclopaedia of Famous Old Swords] (Tokyo, 1982), p. 372.
MitsuoShibata, Nihon no meito [Important Japanese Art Swords] (Tokyo 1966), p. 160.
Shibata Mitsuo, Katana mei nyumon [An Introduction to Famous Swords] (Tokyo, 1971), p. 203.
Yoshikawa Koen et. al., trans. Gordon Robson, Sue-Koto: Japanese Swords of the 15th & 16th Centuries, volume one, (Albuquerque, 2006), p. 145, no. 53.
Art of the Samurai: The Paul L. Davidson Collection (New York, 2023), p. 34 and 82.
A katana
Signed Soshu ju Tsunahiro (Tsunahiro, a resident of Sagami Province)
Muromachi period, 16th century
Sugata[configuration]: highshinogi-zukuri, shin no mune, pronounced saki-zori
Kitae[forging pattern]:pronounced and densely packed o-itame hada, prominent masame towards the mune, covered in ji-nie
Hamon[tempering pattern]: widely hardened gunome-midare which shows muneyaki from the monouchi towards the tip, elegantly tempered hitatsura in style that is mixed with kinsuji and sunagashi and that features plenty of activity, the habuchi in scattered ara-nie
Boshi[tip]:wide kaeri, tending to hitatsura, deeply tempered in ichimai style and with intense muneyuki
Horimono [carvings]: deeply carved dokko ken on the omote, the ura with bonji above gomabashi
Nakago[tang]:ubu, tanago-bara [‘fish-belly form] the yasurime file markings are kiri, one mekug-ana
Inshirasaya[plain wood scabbard] with sayagaki by Tanobe Michihiro
Koshirae[mount]: the black lacquered leather ground tachi saya decorated in gold hiramaki-e and takamaki-e with hanabishi, shakudo nanako fittings, the gilt menuki in the form of further hanabishi, the iron tsuba mounted with silver seppa
Nagasa[length fromkissakitomachi]: 67.6 cm., 26⅝ in.
Sori[curvature]: 2.4 cm., ⅞ in.
Moto-haba[width at themachi]: 2.9 cm., 1⅛ in.
Kasane: 0.6 cm., ¼ in.
The blade accompanied by a certificate of registration as Tokubetsu Hozon Token [Sword Especially Worthy of Preservation], no. 1003339 issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Heisei 27 (2015).
The tachi koshirae accompanied by a certificate of registration as Koshu Tokubetsu Kicho [First Grade, Especially Important], no. 5297 issued by the Nihon Bijutsu Token Hozon Kyokai [Society for the Preservation of the Japanese Art Sword], dated Showa 50 (1975).
The sayagaki by Tanobe Michihiro has been translated as:
Tsunahiro, from Sagami Province
Ubu nakago, there is a five-character signature, Eiroku era.
He is the second-generation sword smith of Tsunahiro.
The tempering pattern is hitatsura, one of his most preferred types
This blade is extremely high level among his works, the carving is also skillful.
Blade Length: 67.7 cm.
Judged in the Year of 2015 by Tanzan Hendo and kao [cursive monogram].