LOT 19
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Anthony Gross CBE RA, British 1905-1984 - Farmyard with Goats, 1929
作品估价：GBP 1,400
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图录号：
19
拍品名称：
Anthony Gross CBE RA, British 1905-1984 - Farmyard with Goats, 1929
拍品描述：
Anthony Gross CBE RA,
British 1905-1984 -
Farmyard with Goats, 1929;
oil on canvas, signed and dated lower right 'A Gross 30', 46.2 x 60 cm (ARR)
Provenance:
with The Belgrave Gallery, London (according to the label attached to the reverse of the stretcher);
private collection
Exhibited:
The Belgrave Gallery, London, 'Anthony Gross: Paintings of the '20s and '30s', 11th October - 4th November 1988, no.10 (according to the label attached to the reverse of the stretcher);
Note:
there is another gallery label attached to the reverse, with the stock no.32/1138.
The late 1920s were an important period for the artist, having returned to Paris in 1928. Here he began working from life and in a freer style, perhaps influenced by his working relationship with Stanley William Hayter. During this period in Paris he designed costumes and settings for ballet, worked with composer Tibor Harsányi and co-directed the short film 'La Joie de vivre' with Hector Hoppin in 1934. He would later have solo exhibitions in Paris at Musée d’Art Moderne de la Ville de Paris and Sagot le Garrec in 1952. Works from the period are now in the Tate collection, including 'Place du Théâtre, Brive-la-Gaillarde, 1929' and 'La Route de Ste Livrade, 1932'.
British 1905-1984 -
Farmyard with Goats, 1929;
oil on canvas, signed and dated lower right 'A Gross 30', 46.2 x 60 cm (ARR)
Provenance:
with The Belgrave Gallery, London (according to the label attached to the reverse of the stretcher);
private collection
Exhibited:
The Belgrave Gallery, London, 'Anthony Gross: Paintings of the '20s and '30s', 11th October - 4th November 1988, no.10 (according to the label attached to the reverse of the stretcher);
Note:
there is another gallery label attached to the reverse, with the stock no.32/1138.
The late 1920s were an important period for the artist, having returned to Paris in 1928. Here he began working from life and in a freer style, perhaps influenced by his working relationship with Stanley William Hayter. During this period in Paris he designed costumes and settings for ballet, worked with composer Tibor Harsányi and co-directed the short film 'La Joie de vivre' with Hector Hoppin in 1934. He would later have solo exhibitions in Paris at Musée d’Art Moderne de la Ville de Paris and Sagot le Garrec in 1952. Works from the period are now in the Tate collection, including 'Place du Théâtre, Brive-la-Gaillarde, 1929' and 'La Route de Ste Livrade, 1932'.