LOT 802
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YU YOUREN (1879-1964) Poem by Jiang Kui (ca. 1155-1221) in Running Script, Dedicated to Li Genyuan (1879-1965)
作品估价：USD 80,000 - 120,000
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买家佣金拍卖企业在落槌价的基础上收取买家佣金
28%
图录号：
802
拍品名称：
YU YOUREN (1879-1964) Poem by Jiang Kui (ca. 1155-1221) in Running Script, Dedicated to Li Genyuan (1879-1965)
拍品描述：
PROPERTY FROM A NEW YORK PRIVATE COLLECTION 紐約私人收藏
Poem by Jiang Kui (ca. 1155-1221) in Running Script, Dedicated to Li Genyuan (1879-1965)
Hanging scroll, ink on paper, inscribed and signed
Yu Youren, with a dedication to Li Genyuan (1879-1965), with an artist's seal and a collector's seal of Li Genyuan.
99 x 48 1/2in (251.5 x 123.2cm)
Collection of Li Genyuan (1879-1965)
于右任（1879-1964） 行書姜夔七言詩 紙本水墨 立軸
款識：南山仙人何所食，夜夜山中煮白石。世人唤作白石仙，一生費齒不費錢。仙人食罷腹便便，七十二峯生肺肝。白石道人詩，印泉我兄正，于右任。
鈐印：關中于氏
鑒藏印：李氏根源金石攷藏印
來源：
李根源（1879-1965）舊藏
The recipient of the present lot, Li Genyuan, was born in Tengchong, Yunnan Province. From 1904 to 1906, he studied at the Tokyo Shinbu Gakko, later continuing his education at the Imperial Japanese Army Academy from 1906 to 1909. During his time in Japan, he joined the Tongmenghui, where he became acquainted with Yu Youren. In 1917, he was appointed Governor of Shaanxi Province, where Yu Youren was also based at the time. In 1922, he became the Chief Director of the Agricultural and Business Department. Shortly thereafter, he withdrew from officialdom and led a reclusive life with his family in Suzhou until 1940, when he returned to government service as the Supervisory Commissioner for Yunnan and Guizhou Provinces.
Born in the same year and sharing similar life experiences, Li Genyuan and Yu Youren developed a deep and enduring friendship. During the 1930s, while Yu Youren held official positions in Nanjing, he frequently traveled to Suzhou, where Li Genyuan hosted him on numerous occasions. From November 22, 2024, to February 20, 2025, the Suzhou Museum presented the exhibition "He Illuminated the Past: Li Genyuan and Suzhou," in which a calligraphy by Yu Youren in 1930, dedicated to Li Genyuan, was displayed.
The present lot, measuring nearly 2.5 meters in length and over one meter in width, is one of the largest calligraphic works by Yu Youren. It exemplifies a pivotal transition in his running script style, which was profoundly influenced by the standard script steles of the Wei State from the Northern Dynasties. Yu Youren began studying these Wei steles during his time in Japan and remained dedicated to internalizing their distinctive knifework, seamlessly incorporating it into his own calligraphic practice.
For comparison, see an impression of the Guanzhong Yushi seal in Lin Jin-zhong, "Yu Youren Shufa Zuopoin de Xiangguan Kaocha" (A Study on Yu Youren's Calligraphy Works), in Jinian Fu Chuan-fu Jiaoshou--Xiandai Shuhua Yishu Xueshu Yantaohui Lunwenji (In Commemoration of Professor Fu Chuan-fu--Proceedings of the Academic Symposium on Modern Calligraphy and Paintings) (Taipei: National Taiwan University of Arts, 2007), p. 158, seal no. 25. According to Lin's research, this seal appears more frequently on Yu Youren's works from the early 1930s to the mid-1940s, particularly those featuring running script infused with the stylistic influence of Wei stele script. This observation aligns with both the style and the likely execution date of the present lot. Similar to the aforementioned calligraphic work dedicated to Li Genyuan in the Suzhou Museum's collection, the present lot was likely presented to Li Genyuan during the 1930s when Yu Youren visited him in Suzhou. Additionally, the poem by Jiang Kui inscribed on this piece subtly alludes to the reclusive lifestyle that Li Genyuan embraced during this period.
李根源，字印泉，又字雪生、養溪，雲南騰衝人。光緒三十年（1904），入東京振武學堂，兩年後，入日本陸軍士官学校。在日期間加入同盟會，結識同庚于右任。民國六年（1917）年，任陝西省長，期間于右任亦恰於陝西任靖國總司令。十一年（1922），李根源任北洋政府農商總長。次年攜家眷隱居吳中，至抗戰爆發。民國二十九年（1940），方返昆明任雲貴監察使。
李根源與于右任因有夙交之緣，情誼益深。二十世紀三十年代，于右任任职南京時，屢赴蘇州遊賞，李根源則親自陪同。恰逢蘇州博物館於2024年11月22日至2025年2月20日舉辦「近代大家」系列學術特展之〈印泉照古--李根源與蘇州〉，其中便有館藏于右任一九三〇年為李根源作〈行書七絕三首〉軸。
本拍品長近二米半，寬亦逾米，乃于右任特大尺幅作品，珍罕自不必說。該軸以魏楷頓挫渾峻的筆法、莊嚴雄厚的結體貫穿行書之瀟然暢意，凝重之中見跳脫。于氏赴日期間，孫中山提倡其寫魏碑。本就來自三秦大地的于右任，與魏碑的豪邁意氣不謀而合，於是便有了「朝臨〈石門銘〉，暮寫〈二十品〉」。
與本幅所鈐相同之「關中于氏」印，見林進忠〈于右任書法作品的相關考察〉，收錄於《紀念傅狷夫教授—現代書畫藝術學術研討會論文集》（台北：國立台灣藝術大學，2007），頁158，印25號。據林氏統計，該印多見於于右任三十年代初至四十年代中期作品中，「整體概觀字體書風，有八成是精熟期的魏底行書」，此觀點與本幅之創作風格與年代亦謀和，本拍品當亦為于右任三十年代頻訪蘇州時贈予李根源。詩寫姜夔〈予居苕溪上與白石洞天為邻〉，仿佛亦與李根源隱居吳中，探幽尋微的素樸生活相得映彰。
Poem by Jiang Kui (ca. 1155-1221) in Running Script, Dedicated to Li Genyuan (1879-1965)
Hanging scroll, ink on paper, inscribed and signed
Yu Youren, with a dedication to Li Genyuan (1879-1965), with an artist's seal and a collector's seal of Li Genyuan.
99 x 48 1/2in (251.5 x 123.2cm)
Collection of Li Genyuan (1879-1965)
于右任（1879-1964） 行書姜夔七言詩 紙本水墨 立軸
款識：南山仙人何所食，夜夜山中煮白石。世人唤作白石仙，一生費齒不費錢。仙人食罷腹便便，七十二峯生肺肝。白石道人詩，印泉我兄正，于右任。
鈐印：關中于氏
鑒藏印：李氏根源金石攷藏印
來源：
李根源（1879-1965）舊藏
The recipient of the present lot, Li Genyuan, was born in Tengchong, Yunnan Province. From 1904 to 1906, he studied at the Tokyo Shinbu Gakko, later continuing his education at the Imperial Japanese Army Academy from 1906 to 1909. During his time in Japan, he joined the Tongmenghui, where he became acquainted with Yu Youren. In 1917, he was appointed Governor of Shaanxi Province, where Yu Youren was also based at the time. In 1922, he became the Chief Director of the Agricultural and Business Department. Shortly thereafter, he withdrew from officialdom and led a reclusive life with his family in Suzhou until 1940, when he returned to government service as the Supervisory Commissioner for Yunnan and Guizhou Provinces.
Born in the same year and sharing similar life experiences, Li Genyuan and Yu Youren developed a deep and enduring friendship. During the 1930s, while Yu Youren held official positions in Nanjing, he frequently traveled to Suzhou, where Li Genyuan hosted him on numerous occasions. From November 22, 2024, to February 20, 2025, the Suzhou Museum presented the exhibition "He Illuminated the Past: Li Genyuan and Suzhou," in which a calligraphy by Yu Youren in 1930, dedicated to Li Genyuan, was displayed.
The present lot, measuring nearly 2.5 meters in length and over one meter in width, is one of the largest calligraphic works by Yu Youren. It exemplifies a pivotal transition in his running script style, which was profoundly influenced by the standard script steles of the Wei State from the Northern Dynasties. Yu Youren began studying these Wei steles during his time in Japan and remained dedicated to internalizing their distinctive knifework, seamlessly incorporating it into his own calligraphic practice.
For comparison, see an impression of the Guanzhong Yushi seal in Lin Jin-zhong, "Yu Youren Shufa Zuopoin de Xiangguan Kaocha" (A Study on Yu Youren's Calligraphy Works), in Jinian Fu Chuan-fu Jiaoshou--Xiandai Shuhua Yishu Xueshu Yantaohui Lunwenji (In Commemoration of Professor Fu Chuan-fu--Proceedings of the Academic Symposium on Modern Calligraphy and Paintings) (Taipei: National Taiwan University of Arts, 2007), p. 158, seal no. 25. According to Lin's research, this seal appears more frequently on Yu Youren's works from the early 1930s to the mid-1940s, particularly those featuring running script infused with the stylistic influence of Wei stele script. This observation aligns with both the style and the likely execution date of the present lot. Similar to the aforementioned calligraphic work dedicated to Li Genyuan in the Suzhou Museum's collection, the present lot was likely presented to Li Genyuan during the 1930s when Yu Youren visited him in Suzhou. Additionally, the poem by Jiang Kui inscribed on this piece subtly alludes to the reclusive lifestyle that Li Genyuan embraced during this period.
李根源，字印泉，又字雪生、養溪，雲南騰衝人。光緒三十年（1904），入東京振武學堂，兩年後，入日本陸軍士官学校。在日期間加入同盟會，結識同庚于右任。民國六年（1917）年，任陝西省長，期間于右任亦恰於陝西任靖國總司令。十一年（1922），李根源任北洋政府農商總長。次年攜家眷隱居吳中，至抗戰爆發。民國二十九年（1940），方返昆明任雲貴監察使。
李根源與于右任因有夙交之緣，情誼益深。二十世紀三十年代，于右任任职南京時，屢赴蘇州遊賞，李根源則親自陪同。恰逢蘇州博物館於2024年11月22日至2025年2月20日舉辦「近代大家」系列學術特展之〈印泉照古--李根源與蘇州〉，其中便有館藏于右任一九三〇年為李根源作〈行書七絕三首〉軸。
本拍品長近二米半，寬亦逾米，乃于右任特大尺幅作品，珍罕自不必說。該軸以魏楷頓挫渾峻的筆法、莊嚴雄厚的結體貫穿行書之瀟然暢意，凝重之中見跳脫。于氏赴日期間，孫中山提倡其寫魏碑。本就來自三秦大地的于右任，與魏碑的豪邁意氣不謀而合，於是便有了「朝臨〈石門銘〉，暮寫〈二十品〉」。
與本幅所鈐相同之「關中于氏」印，見林進忠〈于右任書法作品的相關考察〉，收錄於《紀念傅狷夫教授—現代書畫藝術學術研討會論文集》（台北：國立台灣藝術大學，2007），頁158，印25號。據林氏統計，該印多見於于右任三十年代初至四十年代中期作品中，「整體概觀字體書風，有八成是精熟期的魏底行書」，此觀點與本幅之創作風格與年代亦謀和，本拍品當亦為于右任三十年代頻訪蘇州時贈予李根源。詩寫姜夔〈予居苕溪上與白石洞天為邻〉，仿佛亦與李根源隱居吳中，探幽尋微的素樸生活相得映彰。