LOT 1005
上一件
下一件
Bartholomäus Bruyn the Younger Portraits of Nicolaus von Gail and Sophie von Wedigh
作品估价：USD 200,000 - 300,000
货币换算
成交状态：未知
买家佣金拍卖企业在落槌价的基础上收取买家佣金
26%
图录号：
1005
拍品名称：
Bartholomäus Bruyn the Younger Portraits of Nicolaus von Gail and Sophie von Wedigh
拍品描述：
Bartholomäus Bruyn the Younger
Cologne circa 1530 - 1607/10
Portrait of Nicolaus von Gail;
Portrait of Sophie von Wedigh
his portrait charged upper right with the Von Gail coat of arms and inscribed on the frame:DAT DEVS ADDIT TEMPVS ET SEQVITVR AETAS. / ANNO 1560. AETATIS SVAE 26
her portrait charged upper left with the Von Wedigh coat of arms and inscribed on the frame:DAT DEVS ADDIT TEMPVS ET SEQVITVR AETAS. / ANNO 1565 AETATIS SVAE 21
oil on panel, shaped tops, a pair
each panel: 20 ¼ by 15 ¼ in.; 51.4 by 38.7 cm
each framed: 21 ½ by 16 ½ in.; 54.6 by 41.9 cm
Charles Brinsley Marlay (1831-1912), Belvedere House, Mullingar, County Westmeath, Ireland;
Thence byinheritance with Belvedere House to his half-cousin Colonel Charles Kenneth Howard-Bury (1881-1963);
Thence by inheritance with Belvedere House to his friend, Rex Beaumont (1914-1988);
By whom sold ("The Property of Rex Beaumont, Esq, removed from Belvedere House, Mullingar, Co. Westmeath"), London, Christie's, 24 November 1967, lots 54, 55;
Where acquired by Leger Galleries, London;
From whom acquired by a private collector, 1968;
Anonymous sale ("The Property of a Gentleman"), London, Christie's, 4 July 1986, lot 58;
Private collector, France;
By whom anonymously sold ("The Property of a Gentleman"), London, Sotheby's, 10 July 2008, lot 106;
Where acquired by Aso O. Tavitian.
W. Geelen, "Mitteilungen über Porträts des Kölner Patriciergeschlechts von Wedigh und Unterlagen zur Bestimmung derselben," inBeiträge zur Kölnischen, Geschichte, Sprache, Eigenart 2, no. 10/11 (January 1917), p. 179 note 24;
Paintings from Irish Collections, exhibition catalogue, Dublin 1957, p. 12, cat. nos. 30, 31, reproduced pl. XIII (asFlemish School, early 16th century);
H.J. Tümmers, "Bartholomäus Bruyn der Jüngere," inSonderdruck aus demWallraf-Richartz-Jahrbuch 32 (1970), pp. 116, 127-128, cat. no. 5, reproduced figs. 91, 92;
B. Brinckmann and S. Kemperdick, Deutsche Gemälde im Städel, 1500-1550, Frankfurt 2005, pp. 111-112, reproduced fig. 88;
K. Petter-Wahnschaffe, Hans Holbein und der Stalhof in London, Berlin 2010, pp. 90-91, 350, cat. nos. 2, 3, reproduced figs. 28, 29.
Dublin, Municipal Gallery of Modern Art,Paintings from Irish Collections, 20 May - 25 August 1957, nos. 30, 31 (lent by R. Beaumont, Esq.).
Cologne circa 1530 - 1607/10
Portrait of Nicolaus von Gail;
Portrait of Sophie von Wedigh
his portrait charged upper right with the Von Gail coat of arms and inscribed on the frame:DAT DEVS ADDIT TEMPVS ET SEQVITVR AETAS. / ANNO 1560. AETATIS SVAE 26
her portrait charged upper left with the Von Wedigh coat of arms and inscribed on the frame:DAT DEVS ADDIT TEMPVS ET SEQVITVR AETAS. / ANNO 1565 AETATIS SVAE 21
oil on panel, shaped tops, a pair
each panel: 20 ¼ by 15 ¼ in.; 51.4 by 38.7 cm
each framed: 21 ½ by 16 ½ in.; 54.6 by 41.9 cm
Charles Brinsley Marlay (1831-1912), Belvedere House, Mullingar, County Westmeath, Ireland;
Thence byinheritance with Belvedere House to his half-cousin Colonel Charles Kenneth Howard-Bury (1881-1963);
Thence by inheritance with Belvedere House to his friend, Rex Beaumont (1914-1988);
By whom sold ("The Property of Rex Beaumont, Esq, removed from Belvedere House, Mullingar, Co. Westmeath"), London, Christie's, 24 November 1967, lots 54, 55;
Where acquired by Leger Galleries, London;
From whom acquired by a private collector, 1968;
Anonymous sale ("The Property of a Gentleman"), London, Christie's, 4 July 1986, lot 58;
Private collector, France;
By whom anonymously sold ("The Property of a Gentleman"), London, Sotheby's, 10 July 2008, lot 106;
Where acquired by Aso O. Tavitian.
W. Geelen, "Mitteilungen über Porträts des Kölner Patriciergeschlechts von Wedigh und Unterlagen zur Bestimmung derselben," inBeiträge zur Kölnischen, Geschichte, Sprache, Eigenart 2, no. 10/11 (January 1917), p. 179 note 24;
Paintings from Irish Collections, exhibition catalogue, Dublin 1957, p. 12, cat. nos. 30, 31, reproduced pl. XIII (asFlemish School, early 16th century);
H.J. Tümmers, "Bartholomäus Bruyn der Jüngere," inSonderdruck aus demWallraf-Richartz-Jahrbuch 32 (1970), pp. 116, 127-128, cat. no. 5, reproduced figs. 91, 92;
B. Brinckmann and S. Kemperdick, Deutsche Gemälde im Städel, 1500-1550, Frankfurt 2005, pp. 111-112, reproduced fig. 88;
K. Petter-Wahnschaffe, Hans Holbein und der Stalhof in London, Berlin 2010, pp. 90-91, 350, cat. nos. 2, 3, reproduced figs. 28, 29.
Dublin, Municipal Gallery of Modern Art,Paintings from Irish Collections, 20 May - 25 August 1957, nos. 30, 31 (lent by R. Beaumont, Esq.).