LOT 322
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Jacob Cornelisz. van Oostsanen Crucifixion
作品估价：USD 1,200,000 - 1,800,000
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成交状态：未知
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26%
图录号：
322
拍品名称：
Jacob Cornelisz. van Oostsanen Crucifixion
拍品描述：
Property of a Private East Coast Collector
Jacob Cornelisz. van Oostsanen
Oostzaan 1470 - 1533 Amsterdam
Crucifixion
dated on grey horse’s harness: anno DN / M+CCCCC ET VII
oil on panel
panel: 39 by 30 ⅞ in.; 99.1 by 78.7 cm
framed: 42 ¼ by 34 ⅝ in.; 107.4 by 88.0 cm
Private collection, Brazil, since circa 1935;
Antonio Pérez Valiente de Moctezuma (1895-1980), Buenos Aires;
His sale, Buenos Aires, Ramon Oromi y Cia, 2-5 October 1944, lot 324 (as Michel Wolgemut);
Private collection, Buenos Aires;
Anonymous sale, New York, Sotheby’s, 15 January 1993, lot 25;
Where acquired by Otto Nauman, New York;
From whom acquired by Hester Diamond, New York;
From whom acquired by the present owner, 2005.
A. Woollett, in Inaugural Exhibition of Old Master Paintings, exhibition catalogue, New York 1994, pp. 16-20, reproduced;
D. Meuwissen, “A Painter in Black and White: The Symbolic Relationship Between the Paintings and Woodcuts of Jacob Cornelisz. Van Oostsanen,” in Making and Marketing: Studies of the Painting Process in Fifteenth-and Sixteenth-Century Netherlandish Workshops, M. Faries (ed.), Turnhout 2006, pp. 55-81;
D. Tamis, in Catalogue of Paintings, 1363-1600: Centraal Museum Utrecht, Utrecht 2011, pp. 108-114;
D. Meuwissen, in Jacob Cornelisz van Oostsanen, De Renaissance in Amsterdam en Alkmaar, exhibition catalogue, Amsterdam 2014, pp. 174-175, cat. no. 4, reproduced (with workshop assistance in the background landscape);
P. van den Brink, “TheCrucifixionof 1507 by Jacob Cornelisz: An early Netherlandish masterpiece and the impact of Albrecht Dürer,” in Dürer Unseen, exhibition catalogue, Giulia Bartrum (ed.), London 2022, pp, 66-92.
New York, Metropolitan Museum of Art, long-term loan, 2007 – 2014 (L.2007.23);
Amsterdam Museum; Alkmaar, Stedelijk Museum; Alkmaar, Sint Laurenskerk, Jacob Cornelisz van Oostsanen, De Renaissance in Amsterdam en Alkmaar, 15 March – 29 June 2014, no. 4.
Jacob Cornelisz. van Oostsanen
Oostzaan 1470 - 1533 Amsterdam
Crucifixion
dated on grey horse’s harness: anno DN / M+CCCCC ET VII
oil on panel
panel: 39 by 30 ⅞ in.; 99.1 by 78.7 cm
framed: 42 ¼ by 34 ⅝ in.; 107.4 by 88.0 cm
Private collection, Brazil, since circa 1935;
Antonio Pérez Valiente de Moctezuma (1895-1980), Buenos Aires;
His sale, Buenos Aires, Ramon Oromi y Cia, 2-5 October 1944, lot 324 (as Michel Wolgemut);
Private collection, Buenos Aires;
Anonymous sale, New York, Sotheby’s, 15 January 1993, lot 25;
Where acquired by Otto Nauman, New York;
From whom acquired by Hester Diamond, New York;
From whom acquired by the present owner, 2005.
A. Woollett, in Inaugural Exhibition of Old Master Paintings, exhibition catalogue, New York 1994, pp. 16-20, reproduced;
D. Meuwissen, “A Painter in Black and White: The Symbolic Relationship Between the Paintings and Woodcuts of Jacob Cornelisz. Van Oostsanen,” in Making and Marketing: Studies of the Painting Process in Fifteenth-and Sixteenth-Century Netherlandish Workshops, M. Faries (ed.), Turnhout 2006, pp. 55-81;
D. Tamis, in Catalogue of Paintings, 1363-1600: Centraal Museum Utrecht, Utrecht 2011, pp. 108-114;
D. Meuwissen, in Jacob Cornelisz van Oostsanen, De Renaissance in Amsterdam en Alkmaar, exhibition catalogue, Amsterdam 2014, pp. 174-175, cat. no. 4, reproduced (with workshop assistance in the background landscape);
P. van den Brink, “TheCrucifixionof 1507 by Jacob Cornelisz: An early Netherlandish masterpiece and the impact of Albrecht Dürer,” in Dürer Unseen, exhibition catalogue, Giulia Bartrum (ed.), London 2022, pp, 66-92.
New York, Metropolitan Museum of Art, long-term loan, 2007 – 2014 (L.2007.23);
Amsterdam Museum; Alkmaar, Stedelijk Museum; Alkmaar, Sint Laurenskerk, Jacob Cornelisz van Oostsanen, De Renaissance in Amsterdam en Alkmaar, 15 March – 29 June 2014, no. 4.