LOT 316
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Monogrammist MHVH Joyous Entry of François, Duke of Anjou, into Antwerp on 19 February 1582
作品估价：USD 400,000 - 600,000
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图录号：
316
拍品名称：
Monogrammist MHVH Joyous Entry of François, Duke of Anjou, into Antwerp on 19 February 1582
拍品描述：
Property from a Connecticut Collection (Lots 315-321)
Monogrammist MHVH
active in Antwerp circa 1582
Joyous Entry of François, Duke of Anjou, into Antwerp on 19 February 1582
dated on the portico:1582
oil on panel
panel: 21 by 19 in.; 53.3 by 48.3 cm
framed: 27 ½ by 25 ¼ in.; 69.8 by 64.1 cm
Possibly Abbé Brasseur;
Possibly whom sold, Brussels, Mastraeten, 29 March 1825, lot 51 (as Gillis Mostaert, where acquired by "Spruyt");
Art market, England, 1935;
With Samuel Hartveld, London, 1938;
From whom acquired by Louis Jacobs van Merlen (1882-1963), Antwerp;
Thence by descent, until 2013;
With Johnny van Haeften, London;
From whom acquired by the present collector, April 2013.
Anvers, ville de Plantin et de Rubens, exhibition catalogue, Paris 1954, p. 24, cat. no. 1 (as Anonymous Master);
Antwerpens Gouden Eeuw: Kunst en Kultuur ten Tijde van Plantin, exhibition catalogue, Antwerp 1955, p. 7, cat. no. 437 (as Anonymous);
Gloires des Communes Belges, exhibition catalogue, Brussels 1960, p. 108, cat. no. 211 (as Flemish School, 16th Century);
Willem van Oranje: Om vrijheid van geweten, exhibition catalogue, Amsterdam 1984, pp. 78-79, cat. no. C52, reproduced;
R. Strong,Art and Power: Renaissance Festivals, 1450-1650, Berkeley 1986, reproduced on the cover;
W.H. Vroom, "Monogrammist M.H.V.H., De Blijde Inkomste van Anjou te Antwerpen, 1582", inBulletin van het Rijksmuseum 37, no. 3 (1989) pp. 188-189, reproduced fig. 16b;
Armada, 1588-1988, exhibition catalogue, London 1988, p. 116, cat. no. 6.11, reproduced (as Netherlandish School, 16th century);
W.H. Vroom, in Antwerp, Story of a Metropolis (16th-17th Century), exhibition catalogue, Antwerp 1993, p. 267, cat. no. 119, reproduced;
G. von Büren, inHans Vredeman de Vries und die Renaissance im Norden,H. Borggrefe, T. Fusenig and B. Uppenkamp (eds.), exhibition catalogue, Ghent and Amsterdam 2002, p. 303, cat. no. 142, reproduced;
E.J. Peters, "Printing Ritual: The Performance of Community in Christopher Plantin's La Joyeuse & Magnifique Entréede Monseigneur Francoys...d'Anjou," in Renaissance Quarterly 61, no. 2 (Summer 2008), p. 398 note 45.
Paris, Bibliothèque Nationale, Galerie Mazarine,Anvers, ville de Plantin et de Rubens, March - April 1954, no. 1;
Antwerp, Stedelijke Feestzaal, Antwerpens Gouden Eeuw: Kunst en Kultuur ten Tijde van Plantin, 13 August - 2 October 1955, no. 437;
Brussels, Palais des Beaux Arts,Gloires des Communes Belges, 15 October - 15 December 1960, no. 211;
Amsterdam, Rijksmuseum,Willem van Oranje: Om vrijheid van geweten, 28 September - 9 December 1984, no. C52;
London, National Maritime Museum; Belfast, Ulster Museum,Armada, 1588-1988, 20 April 1988 - 8 January 1989, no. 6.11;
Antwerp, Hessenhuis,Antwerpen, verhaal van een metropool, 16de-17de eeuw, 25 June - 10 October 1993, no. 119;
Lemgo, Weserrenaissance-Museum Schloss Brake; Antwerp, Museum vor Schone Kunsten,Hans Vredeman de Vriesund die Renaissance Renaissance im Norden, 26 May 2002 - 8 December 2002, no. 142.
Monogrammist MHVH
active in Antwerp circa 1582
Joyous Entry of François, Duke of Anjou, into Antwerp on 19 February 1582
dated on the portico:1582
oil on panel
panel: 21 by 19 in.; 53.3 by 48.3 cm
framed: 27 ½ by 25 ¼ in.; 69.8 by 64.1 cm
Possibly Abbé Brasseur;
Possibly whom sold, Brussels, Mastraeten, 29 March 1825, lot 51 (as Gillis Mostaert, where acquired by "Spruyt");
Art market, England, 1935;
With Samuel Hartveld, London, 1938;
From whom acquired by Louis Jacobs van Merlen (1882-1963), Antwerp;
Thence by descent, until 2013;
With Johnny van Haeften, London;
From whom acquired by the present collector, April 2013.
Anvers, ville de Plantin et de Rubens, exhibition catalogue, Paris 1954, p. 24, cat. no. 1 (as Anonymous Master);
Antwerpens Gouden Eeuw: Kunst en Kultuur ten Tijde van Plantin, exhibition catalogue, Antwerp 1955, p. 7, cat. no. 437 (as Anonymous);
Gloires des Communes Belges, exhibition catalogue, Brussels 1960, p. 108, cat. no. 211 (as Flemish School, 16th Century);
Willem van Oranje: Om vrijheid van geweten, exhibition catalogue, Amsterdam 1984, pp. 78-79, cat. no. C52, reproduced;
R. Strong,Art and Power: Renaissance Festivals, 1450-1650, Berkeley 1986, reproduced on the cover;
W.H. Vroom, "Monogrammist M.H.V.H., De Blijde Inkomste van Anjou te Antwerpen, 1582", inBulletin van het Rijksmuseum 37, no. 3 (1989) pp. 188-189, reproduced fig. 16b;
Armada, 1588-1988, exhibition catalogue, London 1988, p. 116, cat. no. 6.11, reproduced (as Netherlandish School, 16th century);
W.H. Vroom, in Antwerp, Story of a Metropolis (16th-17th Century), exhibition catalogue, Antwerp 1993, p. 267, cat. no. 119, reproduced;
G. von Büren, inHans Vredeman de Vries und die Renaissance im Norden,H. Borggrefe, T. Fusenig and B. Uppenkamp (eds.), exhibition catalogue, Ghent and Amsterdam 2002, p. 303, cat. no. 142, reproduced;
E.J. Peters, "Printing Ritual: The Performance of Community in Christopher Plantin's La Joyeuse & Magnifique Entréede Monseigneur Francoys...d'Anjou," in Renaissance Quarterly 61, no. 2 (Summer 2008), p. 398 note 45.
Paris, Bibliothèque Nationale, Galerie Mazarine,Anvers, ville de Plantin et de Rubens, March - April 1954, no. 1;
Antwerp, Stedelijke Feestzaal, Antwerpens Gouden Eeuw: Kunst en Kultuur ten Tijde van Plantin, 13 August - 2 October 1955, no. 437;
Brussels, Palais des Beaux Arts,Gloires des Communes Belges, 15 October - 15 December 1960, no. 211;
Amsterdam, Rijksmuseum,Willem van Oranje: Om vrijheid van geweten, 28 September - 9 December 1984, no. C52;
London, National Maritime Museum; Belfast, Ulster Museum,Armada, 1588-1988, 20 April 1988 - 8 January 1989, no. 6.11;
Antwerp, Hessenhuis,Antwerpen, verhaal van een metropool, 16de-17de eeuw, 25 June - 10 October 1993, no. 119;
Lemgo, Weserrenaissance-Museum Schloss Brake; Antwerp, Museum vor Schone Kunsten,Hans Vredeman de Vriesund die Renaissance Renaissance im Norden, 26 May 2002 - 8 December 2002, no. 142.