LOT 304
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Marcellus Coffermans Triptych: Madonna and Child with Saint Joseph and an Angel (center); Archangel Michael (left); Saint Bartholomew (right)
作品估价：USD 200,000 - 300,000
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图录号：
304
拍品名称：
Marcellus Coffermans Triptych: Madonna and Child with Saint Joseph and an Angel (center); Archangel Michael (left); Saint Bartholomew (right)
拍品描述：
Property of TheBass, Miami Beach to benefit the John and JohannaBassArt Acquisition Fund
Marcellus Coffermans
active in Antwerp 1549 - 1578
Triptych: Madonna and Child with Saint Joseph and an Angel (center); Archangel Michael (left); Saint Bartholomew (right)
oil on panel, a triptych
each side panel: 47 ⅝ by 16 ¾ in.; 121.0 by 42.5 cm
each side framed: 52 by 21 ⅜ in.; 130.1 by 54.3 cm
center panel: 46 ⅛ by 36 ½ in.; 117.2 by 92.7 cm
center framed: 52 by 43 in.; 132.1 by 109.2 cm
Convento de Carmelitas,Salamanca;
With Arthur Tooth & Sons, Paris, 1912;
Baron Hugo von Grundherr zu Altenthann und Weyerhaus (1874-1956), Mittersill Castle, Austria;
By whom anonymously offered ("Collection of Foreign Aristocratic Property"), Lucerne, Galerie Fischer,8 September 1924, lot 145;
Hans von Pfyffer von Altishofen (1866-1953), Lucerne;
By whose heirs offered, Lucerne, Galerie Fischer, 20 November 1954, lot 1846;
From whom acquired by Galerie Fischer, Lucerne, 1957;
With Arthur Tooth, London, 1958;
John and Johanna Bass, New York, by 1962;
By whom bequeathed to the Bass Museum of Art, Miami Beach, in 1963 (inv. nos. 63.19a,b).
A. Pestalozzi-Pfyffer,Der Meister E.S. und die Schöngauer,Berlin 1926, pp. 65-68, reproduced (as Martin Schongauer);
Exposition de tableaux anciens de grands Maîtres, exhibition catalogue, Lucerne 1956, p. 8, cat. no. 3 (as Coffermans);
The John and Johanna Bass Collection at Miami Beach, Florida,Miami 1973,p. 12 no. 19 (central panel as Coffermans);
E. Bermejo, “Dos pinturas ineditas en el Escorial: una de Marcellus Coffermans y otra de Pieter Aertsen,” in RealMonasterio-PalaciodeElEscorial: Estudios inéditos en conmemoración del IV Centenariodela terminacióndelas obras, Madrid 1987, pp. 250-254, reproduced figs. 3-5 (as Coffermans);
M. Russell, inPaintings and Textiles of the Bass Museum of Art:Selections from the Collection,M. Russell (ed.), Miami Beach 1990, pp. 28, 50, reproduced (wings as Flemish School, 16th century; central panel as Coffermans);
Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America,A. Balis, C. Van de Velde, and H. Vlieghe (eds.),Antwerp 1992, p. 324, cat. no. 157, reproduced (central panel as Coffermans);
M. Rudolf de Vrij,Marcellus Coffermans,Amsterdam 2003, pp. 131, 156, cat. no. 51, reproduced p. 7 (wings as Workshop of Coffermans; central panel as Coffermans).
Lucerne, Galerie Fischer, Exposition de tableaux anciens de grands Maîtres, 17 March - 30 June 1956, no. 3.
Marcellus Coffermans
active in Antwerp 1549 - 1578
Triptych: Madonna and Child with Saint Joseph and an Angel (center); Archangel Michael (left); Saint Bartholomew (right)
oil on panel, a triptych
each side panel: 47 ⅝ by 16 ¾ in.; 121.0 by 42.5 cm
each side framed: 52 by 21 ⅜ in.; 130.1 by 54.3 cm
center panel: 46 ⅛ by 36 ½ in.; 117.2 by 92.7 cm
center framed: 52 by 43 in.; 132.1 by 109.2 cm
Convento de Carmelitas,Salamanca;
With Arthur Tooth & Sons, Paris, 1912;
Baron Hugo von Grundherr zu Altenthann und Weyerhaus (1874-1956), Mittersill Castle, Austria;
By whom anonymously offered ("Collection of Foreign Aristocratic Property"), Lucerne, Galerie Fischer,8 September 1924, lot 145;
Hans von Pfyffer von Altishofen (1866-1953), Lucerne;
By whose heirs offered, Lucerne, Galerie Fischer, 20 November 1954, lot 1846;
From whom acquired by Galerie Fischer, Lucerne, 1957;
With Arthur Tooth, London, 1958;
John and Johanna Bass, New York, by 1962;
By whom bequeathed to the Bass Museum of Art, Miami Beach, in 1963 (inv. nos. 63.19a,b).
A. Pestalozzi-Pfyffer,Der Meister E.S. und die Schöngauer,Berlin 1926, pp. 65-68, reproduced (as Martin Schongauer);
Exposition de tableaux anciens de grands Maîtres, exhibition catalogue, Lucerne 1956, p. 8, cat. no. 3 (as Coffermans);
The John and Johanna Bass Collection at Miami Beach, Florida,Miami 1973,p. 12 no. 19 (central panel as Coffermans);
E. Bermejo, “Dos pinturas ineditas en el Escorial: una de Marcellus Coffermans y otra de Pieter Aertsen,” in RealMonasterio-PalaciodeElEscorial: Estudios inéditos en conmemoración del IV Centenariodela terminacióndelas obras, Madrid 1987, pp. 250-254, reproduced figs. 3-5 (as Coffermans);
M. Russell, inPaintings and Textiles of the Bass Museum of Art:Selections from the Collection,M. Russell (ed.), Miami Beach 1990, pp. 28, 50, reproduced (wings as Flemish School, 16th century; central panel as Coffermans);
Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America,A. Balis, C. Van de Velde, and H. Vlieghe (eds.),Antwerp 1992, p. 324, cat. no. 157, reproduced (central panel as Coffermans);
M. Rudolf de Vrij,Marcellus Coffermans,Amsterdam 2003, pp. 131, 156, cat. no. 51, reproduced p. 7 (wings as Workshop of Coffermans; central panel as Coffermans).
Lucerne, Galerie Fischer, Exposition de tableaux anciens de grands Maîtres, 17 March - 30 June 1956, no. 3.