LOT 6
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CHIN’EI: A FINE CHINKINBORI FOUR-CASE LACQUER INRO WITH DRAGONS
作品估价：EUR 1,000
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成交状态：未知
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28%
图录号：
6
拍品名称：
CHIN’EI: A FINE CHINKINBORI FOUR-CASE LACQUER INRO WITH DRAGONS
拍品描述：
CHIN’EI: A FINE CHINKINBORI FOUR-CASE LACQUER INRO WITH DRAGONS
By Chin’ei, signed Chin’ei 珍榮
Japan, Nagasaki, 18
th
century, Edo period (1615-1868)
Of lenticular form and oval section, bearing a lustrous roiro ground, finely worked in chinkinbori, each side with a three-clawed dragon emerging from scrolling clouds and waves, their bodies finely picked out in gold. The interior compartments of nashiji and with gold fundame rims. Signed to the underside CHIN’EI in tensho (seal script).
With a glass ojime imitating jadeite.
HEIGHT 8.1 cm, LENGTH 5.3 cm
Condition: Good condition with minor wear, scattered bruises, discoloration along the edges, minor scattered touchups, a thin line (only visible when the inro is turned in the light) to the two upper cases. The glass ojime with minor bruises and an open bubble. Overall presenting very well.
Provenance:
From an old French private collection with collector’s number pasted to the top case reading ‘7802’.
Chinei worked in Nagasaki and specialized in the chinkin-bori technique. Chinkin-bori is a technique whereby the surface is incised with a design and then filled with a colored powder or leaf that stands out against the background.
Museum comparison:
Compare a related inro by Chin’ei, dated to 1750-1850, in the Victoria and Albert Museum, accession number W.198-1922.
By Chin’ei, signed Chin’ei 珍榮
Japan, Nagasaki, 18
th
century, Edo period (1615-1868)
Of lenticular form and oval section, bearing a lustrous roiro ground, finely worked in chinkinbori, each side with a three-clawed dragon emerging from scrolling clouds and waves, their bodies finely picked out in gold. The interior compartments of nashiji and with gold fundame rims. Signed to the underside CHIN’EI in tensho (seal script).
With a glass ojime imitating jadeite.
HEIGHT 8.1 cm, LENGTH 5.3 cm
Condition: Good condition with minor wear, scattered bruises, discoloration along the edges, minor scattered touchups, a thin line (only visible when the inro is turned in the light) to the two upper cases. The glass ojime with minor bruises and an open bubble. Overall presenting very well.
Provenance:
From an old French private collection with collector’s number pasted to the top case reading ‘7802’.
Chinei worked in Nagasaki and specialized in the chinkin-bori technique. Chinkin-bori is a technique whereby the surface is incised with a design and then filled with a colored powder or leaf that stands out against the background.
Museum comparison:
Compare a related inro by Chin’ei, dated to 1750-1850, in the Victoria and Albert Museum, accession number W.198-1922.