LOT 17
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Flemish school of the late 16th century. \"Virgin with Child and St. John the Baptist\". Oil on copper. Frame of tortoiseshell, embossed silver and bone of the seventeenth century. Presents restorations.
Dimensions 22 x 17 cm; 36 x 31 cm (frame).
作品估价：EUR 2,000
货币换算
成交状态：未知
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25%
图录号：
17
拍品名称：
Flemish school of the late 16th century. \"Virgin with Child and St. John the Baptist\". Oil on copper. Frame of tortoiseshell, embossed silver and bone of the seventeenth century. Presents restorations.
尺 寸：
Dimensions 22 x 17 cm; 36 x 31 cm (frame).
拍品描述：
Description
Flemish school of the late 16th century.
"Virgin and Child with Saint John the Baptist".
Oil on copper.
Frame in tortoiseshell, embossed silver and bone from the 17th century.
It presents restorations.
Measurements: 22 x 17 cm; 36 x 31 cm (frame).
In this copper we see a devotional work of great beauty and emotion, classical in its conception although enriched by a warm and contrasted illumination, typical of the Flemish school. It presents us with a settled and balanced composition, clearly classical, based on a pyramidal scheme whose apex is Mary's head, framed by two pink curtains. The infant Jesus sleeps peacefully while being watched by his mother. Saint John with his rod and phylactery asks for silence. The figures stand out against a neutral, dark background that emphasises their physical presence, their corporeality.
Flemish school of the late 16th century.
"Virgin and Child with Saint John the Baptist".
Oil on copper.
Frame in tortoiseshell, embossed silver and bone from the 17th century.
It presents restorations.
Measurements: 22 x 17 cm; 36 x 31 cm (frame).
In this copper we see a devotional work of great beauty and emotion, classical in its conception although enriched by a warm and contrasted illumination, typical of the Flemish school. It presents us with a settled and balanced composition, clearly classical, based on a pyramidal scheme whose apex is Mary's head, framed by two pink curtains. The infant Jesus sleeps peacefully while being watched by his mother. Saint John with his rod and phylactery asks for silence. The figures stand out against a neutral, dark background that emphasises their physical presence, their corporeality.