LOT 10
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ITALIAN SCHOOL, 15TH CENTURY Saint Lucy; and Saint Bernardino of Siena
作品估价：USD 40,000 - 60,000
货币换算
成交状态：未知
买家佣金拍卖企业在落槌价的基础上收取买家佣金
26%
图录号：
10
拍品名称：
ITALIAN SCHOOL, 15TH CENTURY Saint Lucy; and Saint Bernardino of Siena
拍品描述：
ITALIAN SCHOOL, 15TH CENTURY
Saint Lucy; and Saint Bernardino of Siena
the second inscribed 'BENE.FACITE'
tempera and gold on panel, in engaged frames
each 23 ¾ x 14 ¾ in. (59 x 37.5 cm.)(2)
a pairBellini collection, Florence, by 1955.
with Ira Spanierman, New York, by 1967 (Saint Bernardino).
Imelda Markos, Manila.
[Property to be sold on behalf of The Republic of the Philippines through the Presidential Commission on Good Government]; Christie's, New York, 11 January 1991, lot 40.Florence, Palazzo Strozzi, Antiquariato, V, 1967, p. 730While both these panels were known to Bernard Berenson, the art historian does not appear to have connected the two, as their photographs were catagorized separately in his archive. On the reverse of Berenson's image of
Saint Bernardino, his handwritten notes indicate he thought it to be by an artist close to the Sienese painters, Pellegrino di Mariano or Giovanni d'Ambrogio (Hollis image no. 8086330).
Saint Lucy, meanwhile, he noted was 'near, but not by, Fra Filippo Lippi' (Hollis image no. 8097156). Federico Zeri appears only to have been aware of the
Saint Bernardino panel was also unable to suggest an attribution, observing that it was by an anonymous Paduan hand, influenced by Francesco Squarcione (Zeri Fototeca nos. 28080).
Saint Lucy; and Saint Bernardino of Siena
the second inscribed 'BENE.FACITE'
tempera and gold on panel, in engaged frames
each 23 ¾ x 14 ¾ in. (59 x 37.5 cm.)(2)
a pairBellini collection, Florence, by 1955.
with Ira Spanierman, New York, by 1967 (Saint Bernardino).
Imelda Markos, Manila.
[Property to be sold on behalf of The Republic of the Philippines through the Presidential Commission on Good Government]; Christie's, New York, 11 January 1991, lot 40.Florence, Palazzo Strozzi, Antiquariato, V, 1967, p. 730While both these panels were known to Bernard Berenson, the art historian does not appear to have connected the two, as their photographs were catagorized separately in his archive. On the reverse of Berenson's image of
Saint Bernardino, his handwritten notes indicate he thought it to be by an artist close to the Sienese painters, Pellegrino di Mariano or Giovanni d'Ambrogio (Hollis image no. 8086330).
Saint Lucy, meanwhile, he noted was 'near, but not by, Fra Filippo Lippi' (Hollis image no. 8097156). Federico Zeri appears only to have been aware of the
Saint Bernardino panel was also unable to suggest an attribution, observing that it was by an anonymous Paduan hand, influenced by Francesco Squarcione (Zeri Fototeca nos. 28080).